This year’s Holiday Horror episode arrives! 2022 was Troy’s
pick and he has chosen a British creeper set in the week between Christmas and
New Years Eve called THE CHILDREN (2008). It is an underseen horror tale that
uses the season effectively even if we question whether the story needed the
holiday setting to accomplish its goal. Still, there are fewer locations
that cry out ‘Christmas’ as well as a secluded, snow-bound country house so it
earns its place here easily. We try not to spoil the movie so we stay clear of
deep discussion of the third act.
John Hudson and I join Troy for this trek down Evil Child Lane. We take note of the subtle ways the threat is communicated before the mayhem explodes. We heap much praise on the film’s smart dialog and understanding of family dynamics that make the entire scenario feel like a slice of increasingly tense reality. Truly, by being specific in its details this movie hits some terrifying universal notes about the ties that bind. We discuss the fact that film never spells out the reason for the children’s violence with understated hints as our only clues. I bring up a wonderful essay by Andrea Subissati about the film and it’s comments on the destructive nature of the lies we tell our kids and how they can infect other parts of our life. And I can’t stay away from talking about the story’s thread of financial concerns that surface at the film’s intense dinner scene. There’s a lot going on in this short, violent tale and we recommend it. Luckily it is currently streaming on Tubi for free!
Questions, comments or Holiday messages can be directed to thebloodypit@gmail.com where we’ll be jingle jangled to hear from you. All three of us hope you have a fantastic Holiday season and a Happy New Year. Santa knows we all need one. Thanks for listening and sorry for the Bonanza sidetrack. I can’t help myself.
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