
But as tired as Martin looks and sounds the film’s story is even more worn-out. There is nothing original about this tale and I can’t imagine what audiences thought about this in 1973. By this time the Spaghetti Westerns had been a major force in cinema for years injecting hyper violence and a grittiness into the genre that American filmmakers tried to emulate. Those influences are here in the titular showdown at the end of the film with graphic bullet hits and the grisly death of a main character which is mercifully left off screen. But these elements bump against the laid back nature of the dialog scenes giving the whole film a slightly off feeling because of this tonal split.
The thing is- there are good things in SHOWDOWN. Hudson is very good and Martin gets better as the film goes on. In the later scenes when he’s playing against Hudson and the (wasted) female lead's (Susan Clark Martin) charm comes out and it’s easy to like watching him act. He really was a natural.
But the film is a dud. I can respect its downbeat ending and the chase through a burning forest that leads up to it but there just isn’t much there. The ending and the fine cast offset the dullness of the story making it a zero sum game. And that’s just too bad.
No comments:
Post a Comment