Friday, January 31, 2025
Patreon Post - THE HOUSE OF CLOCKS (1989)
Tuesday, January 28, 2025
The Bloody Pit #210 - STAR TREK VI: THE UNDISCOVERED COUNTRY (1991)
At long last Mark Maddox returns as we wrap up our look at
the first six Star Trek feature films with STAR TREK VI: THE UNDISCOVERED
COUNTRY. Since this is the last movie to showcase the entire original cast, we
take the opportunity to mention how happy we are that VI was the film they went
out on and that everyone gets chances to shine. I’m just thrilled we finally
get Captain Sulu!
We discuss the production push to get this into theaters to coincide
with the 25th anniversary of the premiere of the TV show. We praise
the return of Nicholas Meyer to the director’s chair and point out the many
touches that seem to stem from his involvement. This includes the joy of having
the Wold Newton family tree brought into onscreen Star Trek, which is probably peak
geekiness. The intricate nature of the film’s plot comes under scrutiny with us
listing the various elements that are woven together perfectly to move the
story forward. We discuss the dialog with a few clips to give a taste of the
intelligence of the script. Our admiration for the performances gets plenty of
time and we single out Christopher Plummer’s fantastic turn as Klingon General
Chang. Just how much Shakespeare can be wedged into a Trek film, anyway? And is
Chang the series’ best villain? Others may disagree with us but we make our
case.
If you have anything to add to the show thebloodypit@gmail.com is the place to
write. We love hearing from you and if you want to work ahead it looks like we
will be talking about the Star Trek animated series in the future. Thank you
for listening and we’ll be back soon.
Monday, January 27, 2025
TERROR OF THE RED MASK (1960) Poster Art
Saturday, January 25, 2025
Wild, Wild Podcast - THE BLACK DUKE (1963)
Thursday, January 23, 2025
Wednesday, January 22, 2025
The Untold Legend of Batman Motion Comic!
Tuesday, January 21, 2025
Sunday, January 19, 2025
Thursday, January 16, 2025
What I Watched in December 2024
Among the many (obvious) joys of Robert Egger’s new
NOSFERATU (2024) is a reaffirmation of the timelessness and malleability of the
core Dracula story. Each of the three film versions to bear this title tell
essentially the same tale but emphasize very different things. And while each has
grown organically out of the times in which they were produced they seem to
reflect the specific creative ideas burning within their directors. The 1922
classic is a brilliant exploration of then new cinematic ways of employing
German Expressionism to visualize horrific images that had never been attempted
onscreen before. This was the cutting edge of stage and screen storytelling at
the time with the film seeming like a call to others to elevate their visuals. Herzog’s
1979 vision was of societal destruction by a plague of evil and the
overwhelming sense that the event was unstoppable and inevitable. This bleak
view of the horrors of the (super)natural world clawing at the thin veneer of
civilization was typical of the director’s harsh opinion of humanity. Egger’s
film shifts the focus to the character who sacrifices herself to end the
horrors being visited upon the entire world. His movie centers her struggle with
both mental illness and the ways the world treats her affliction because of how
it is viewed by the people around her. She is the inevitable hero character and
she suffers in more ways than any person should have to with her only solace
being that she can save humanity through self-sacrifice. All three films contain each of these elements but the focus shift is fascinating and shows why I hope I
live to see another version made in the future.
Monday, January 13, 2025
The Bloody Pit #209 - FRANKENSTEIN'S DAUGHTER and MISSILE TO THE MOON (1958)
This episode is the second part of my discussion of the
films of Richard Cuhna with author Mark Clark. We focus on FRANKENSTEIN’S
DAUGHTER and MISSILE TO THE MOON (1958) before we ramble off into talking about
the Planet of the Apes franchise. Staying on topic is difficult for both of us!
The cast of FRANKENSTEIN’S DAUGHTER (1958) is examined with
lots of love directed at the amazingly villainous Donald Murphy as a descendant
of grand-daddy Frankenstein. One could only imagine what his character might have
accomplished if he could gain some control over his libido. We look at the
various funding methods used by mad scientists and the ways that suburban
homeowners can somehow forget entire areas of their house exist! We also lament
the lack of Jack Pierce’s contributions to the monster makeup and wish he could
have returned after his work on GIANT FROM THE UNKNOWN as the film’s monster look
is oddly non-gender specific. As a science fiction/horror tale, the movie actually
has a very rare pair of competent police officers, although their detective
skills don’t mean they will live through the investigation.
When our conversation turns to MISSILE TO THE MOON (1958) we
praise the excellent rock monsters and a few of the performances but struggle
to find more to love. Perhaps shifting from original screenplays to remaking a
not very good film wasn’t the best idea for Cunha and his collaborators. Still,
there are things to enjoy in the movie, especially if you have a soft-spot for
50’s science fiction tales told with more enthusiasm than fidelity to reality.
If you have any thoughts about the four genre films directed
by Richard Cunha thebloodypit@gmail.com
is where to send them. We both love these movies and return to them regularly.
With some luck the missing two can be rescued from YouTube by an enterprising
Blu-Ray company soon.