Sunday, September 13, 2026

The Bloody Pit #236 - BENEATH THE PLANET OF THE APES (1970)


Author Mark Clark returns to start a discussion of the sequels to one of the greatest science fiction movies of all time. It is difficult to convey just how popular the Planet of the Apes series of films was in the early 1970s if you weren’t around to experience the phenomenon. The first film had been a massive hit both commercially and critically while its iconic final scene became part of the zeitgeist inspiring everything from standup comics to television advertisements to most kid’s playtime fantasies of gorillas punching disrespectful humans. The choice to make a sequel to such a well-known and well-regarded film seems like a natural thought in the 21st century but in the late 1960s it was not. And just getting everyone on board for the project was only the first problem the production encountered. We will elaborate. Somewhat.
 
BENEATH THE PLANET OF THE APES (1970) is generally considered one of the lesser entries in the POTA film series and both Mark and I feel this is a ridiculous common opinion. As we relate, even some of the cast and crew were less than thrilled with the final form the story took with both director Ted Post and lead actor James Fransicous trying to shift and alter things until nearly the last few minutes before cameras rolled. While flawed, the film is incredibly compelling and sports some of the best cinematic imagery of a post-apocalyptic Earth of any pre-CGI science fiction. And for those wanting to be intellectually engaged, the film seems intent on slinging idea after idea at the audience in an attempt to craft a similar effect of wide-eyed wonder the first film built. The entire affair is once again locked in place by a cast of fantastic actors giving us brilliant performances often through the award-winning ape makeup appliances. We spend a little time marveling at the villainous James Gregory as General Ursus and remain glad that he got the role instead of Orson Wells.
 
Needless to say, we discuss the film’s downbeat ending in detail so full spoiler warnings are in place! After all – no one was going to want to do another one of these things! Right?
 
If you have questions or comments thebloodypit@gmail.com is the place to send them. Mark and I will return soon with the next POTA sequel and stir some real controversy then. Thanks for listening. 

Saturday, September 12, 2026

Video - Speed Buggy Music plus Comic Books!


I don't remember ever buying or reading a single Speed Buggy comic book in my youth but the show's incredibly catchy theme music is embedded in my memory to this day. Looking over these comic covers instantly put that glorious, energetic sound back in my head. If you've never heard this music or if you just need a reminder the above video has both the opening theme and closing music back to back for our earworm joy!








Saturday, September 05, 2026

Wild, Wild Podcast - LAST PLATOON (1988)


Adrian and I are heading back into the jungle for one last mission - to make a podcast about a film most regular people haven't heard of. It's possible that neither will make it out alive. And even if they do, can Donald Pleasence get the rescue chopper to them in time?

This season is dedicated to that great quiet man of British cinema, Donald Pleasence, who spent a great deal of time in the 1980s in Italy. We would love to hear from you about your favorite Donald Pleasence films from this period, or if you have ever got your foot caught on a bamboo spike.

You can get in touch with us, follow us on social media, buy our merch, and all that stuff, through our LINKTREE.

Wednesday, September 02, 2026

THE FIGHTING PRINCE OF DONEGAL (1966) Poster Art









This is one of the lesser known Disney films produced in the UK during the 1960s. It seems that making these live action adventures was a way to keep from paying taxes on a chunk of the profits Disney made in that country. For viewers it meant a series of rousing historical action movies that kids and adults could enjoy. This is probably the weakest of them but I still found it well worth the watch.