Showing posts with label arthouse. Show all posts
Showing posts with label arthouse. Show all posts

Sunday, October 12, 2025

Beyond Naschy #38 - SUCCUBUS (1968)

The Naschycast returns to the world of Jess Franco for an erotic ramble through late 1960’s Lisbon and Berlin. Bob Sargent joins Troy and I to examine SUCCUBUS (1968) because Bob wanted to rewatch the film. Two of us had not watched it in years and the third had never even seen it before! We turned this into a trip to the unwatched DVD pile again to take a look at the starting point for a certain type of Franco cinema. Your tolerance for the director’s sense of humor and the absurd will determine your level of enjoyment.

We use Stephen Thrower’s excellent book on the work of Franco to guide us and to provide a brief synopsis of the film. We waffle through a discussion touching on the cast connections to Paul Naschy but mostly talk about our reactions to the often surrealistic events involving S & M stage performer Lorna (Janine Reynaud). She seems to be navigating a strange period in her life with reoccurring visions of a different life impinging on her supposed reality. We see her interact with various romantic partners who end up dead at her hands - or is that really what is happening? Along the way we get striking images, amusing commentary on arthouse pretentions and philosophical silliness draped in an encroaching ennui that seems to define Lorna’s confused life. Can cinema be therapy? 

Along the way we are reminded to always fear mannequins but we also take heart from the Algernon Charles Swinburne poem Faustine that seems to have been a major influence on the film.  Of course, we all wish a for a Blu-Ray release complete with multiple versions of this important effort. It clearly signposted many future Jess Franco films that fans laud to this day.

 If you have and comments naschycast@gmail.com is the place to send them. Thank you for listening and we’ll be back soon. 

Thursday, January 16, 2025

What I Watched in December 2024



Among the many (obvious) joys of Robert Egger’s new NOSFERATU (2024) is a reaffirmation of the timelessness and malleability of the core Dracula story. Each of the three film versions to bear this title tell essentially the same tale but emphasize very different things. And while each has grown organically out of the times in which they were produced they seem to reflect the specific creative ideas burning within their directors. The 1922 classic is a brilliant exploration of then new cinematic ways of employing German Expressionism to visualize horrific images that had never been attempted onscreen before. This was the cutting edge of stage and screen storytelling at the time with the film seeming like a call to others to elevate their visuals. Herzog’s 1979 vision was of societal destruction by a plague of evil and the overwhelming sense that the event was unstoppable and inevitable. This bleak view of the horrors of the (super)natural world clawing at the thin veneer of civilization was typical of the director’s harsh opinion of humanity. Egger’s film shifts the focus to the character who sacrifices herself to end the horrors being visited upon the entire world. His movie centers her struggle with both mental illness and the ways the world treats her affliction because of how it is viewed by the people around her. She is the inevitable hero character and she suffers in more ways than any person should have to with her only solace being that she can save humanity through self-sacrifice. All three films contain each of these elements but the focus shift is fascinating and shows why I hope I live to see another version made in the future. 

The List 

THE HOUSE OF WITCHCRAFT (1989) – 6 (Lenzi supernatural horror) 
THE SEXUAL REVOLUTION (1968) – 5 (sexual freedom ain’t free)
GLADIATOR II (2024) – 8 
BLACK CHRISTMAS (1974) – 9 (rewatch on Blu) 
THE RETURN (2024) – 8 
MISSILE TO THE MOON (1958) – 4 (rewatch)
FRANKENSTEIN’S DAUGHTER (1958) – 7 (rewatch on Blu)
SHE DEMONS (1958) – 6 (rewatch)
GIANT FROM THE UNKNOWN (1958) – 7 (rewatch on Blu) 
SUPERMAN III (1983) – 4 (rewatch on Blu)
WEREWOLVES (2024) – 4 (nice practical effects but the film is blah)
LARCENY INC. (1942) – 7 (comedic crime with Edward G. Robinson)
INVASION USA (1985) – 5 (rewatch on Blu) 
THE CHRISTMAS SPIRIT (2023) – 4 (interesting idea but poor execution) 
COVER UP (1949) – 7 (good noir set at Christmas) 
SUPERMAN IV: THE QUEST FOR PEACE (1987) – 4 (rewatch on Blu)
NERCROPHAGOUS (1971) – 5 (rewatch on Blu) 
NOSFERATU (2024) – 9 
THE TREASURE OF SILVER LAKE (1962) – 7 (excellent German western)


Saturday, August 24, 2019

Naschycast #61 - LOS PASAJEROS (1975)


After nearly ten years of covering Paul Naschy films it is no secret that we have reached the final few movies that are available for us to see. Sure, we’ve stayed away from some later efforts with very small roles for our hero that might be worthy of attention. But, of the movies made during his most productive years, there are not many left to dig into and most of those were never released in the United States or, in some cases, outside of Spain. Luckily, the fan-subbing community once again comes to the rescue allowing us to finally check another rare one off our Naschy bucket list. The film’s cast also includes the excellent Aurora Bautista in a significant role as well as Eva León and Loreta Tovar so there are some familiar faces for Spanish Horror fans.


LOS PASAJEROS (1975) is a hard to find film for many reasons. It seems to have been barely released even in Spain and to have been the first of only two feature films directed by José Antonio Barrero. Mr. Barrero contributed the screen story for this effort as well so it seems logical to attribute the film’s quirks to his sensibilities. He appears to have been aiming this movie at the arthouse crowd couching his (supposedly) big statements in arch symbolic actions that often leave viewers scratching their heads. It may be that a Spanish filmgoer in the mid-1970’s would have been able to puzzle out the meaning of what happens onscreen but we might never know. Still, there are points of interest for the hardcore Naschy fan since Mr. Molina has a substantial role as the rich patron presiding over a house filled with subservient people. Naschy commands these visitors to his isolated home to act out scenes from plays while he watches. It’s all pretty weird!

At the end of the show we reply to a pair of recent emails to the podcast. If you have comments or questions the address is naschycast@gmail.com where we’ll be glad to hear from you. If you don’t want us to use your full name on the show let us know. Thank you for listening to this episode and we’ll be back soon with another Beyond Naschy show!







Wednesday, April 06, 2011

NaschyCast #15 - EL CAMINANTE (1979)


Maybe the last thing we expected when we watched EL CAMINANTE (a.k.a. THE TRAVELLER) was that we would discover one of Naschy’s best movies. That it is also an incredibly funny, bawdy, cynical and darkly incisive view of how the world works was a revelation. The last time we strayed away from his horror output we were cursed by CRIMSON but this time we struck blessed gold! Naschy described EL CAMINANTE as the most personal and sensitive of all his films and it was also one of his most critically lauded works. Looked at as a morality play it is brilliant and as a sharp critique of the ethical deficiencies of mankind it is excellent. As writer, director and star Naschy uses the classic tale of the Devil travelling the world to explore his own philosophy of life while never losing sight of the need to make an entertaining story. Even as the fable becomes more disturbing, reflecting his unfortunate disillusionment with people, the film retains its engaging spirit. The story’s episodic nature keeps it unpredictable and fun with one adventure leading to the next as each of the seven deadly sins gets its moment on stage. It may just be that my own view of life lines up pretty closely with Naschy’s but I found a lot with which to identify in this film and I feel that it is easily one of his finest works. Graced with fantastic dialog, fine performances, a good score and a creator in full flower EL CAMINANTE is a true classic that should be seen by anyone with an interest in quality cinema. This is our most surprising discovery from Naschy’s filmography yet and I recommend that everyone seek it out.

Naschycast #15

For more information about one of the many stories Naschy adapted into this film check out this page about El Buscon. And you can write us at naschycast@gmail.com.