
I hope everyone has a safe and happy All Hallows Eve.
And maybe next year we'll finally get the chance to see this film.



The art of the credit sequence is something I’ve been interested in for a few years. I’ve always felt that a well done opening can really set the mood for a film. If effective a credit sequence can bring the viewer into the film’s artificial world in a way that gives the story room to grow to outlandish levels but still be able to create the willing suspension of disbelief necessary for fiction to work. I first thought seriously about this after seeing a series of especially smart such openings with in a short space of time. FIGHT CLUB’s mesmerizing journey through the cerebral cortex of its main character sets up not only the odd nature of the first scene of the film but in repeat viewings plays as the first joke on the audience. Similarly, Cronenberg’s EXISTENZ has the credits play out over a swirling image that subtly suggests the mind trip you are about to take without making it obvious.
I finally got to see this Clive Barker adaptation and it was worth checking out. Not a great horror film but a good one and certainly worth a theatrical release. I wondered why this film got crapped on by Lionsgate and luckily this article explains. Corporate BS wins every time, I guess. .jpg)