Showing posts with label 70s horror. Show all posts
Showing posts with label 70s horror. Show all posts

Monday, April 06, 2026

A BAY OF BLOOD (1971) - Poster Art and Video Covers










A VHS viewing of this Mario Bava film coupled with an earlier watch party experience with Fulci's THE BEYOND may have been the beginning of my obsession with Italian horror. I still find both films brilliant every time I return to them.

 

Monday, March 16, 2026

Kolchak, The Night Stalker Collectable Figures!


Those madmen at Wandering Planet are at it again with a new Kickstarter for a Kolchak action figure! It's 1/12 scale with 22 points of articulation and sports a variety of accessories. They are also doing a figure of the vampire Janos Skorzeny and a two-pack of them together! 

 

Wednesday, December 03, 2025

WHOEVER SLEW AUNTIE ROO? (1971) Poster Art and Lobby Cards

This year's Christmas time film is one I haven't revisited in decades! I can remember very little but I bet Shelly Winters goes nuts. Am I right?

Wednesday, July 16, 2025

The Bloody Pit #217 - THE VISITOR (1979)

In the Cult Italian Movie category THE VISITOR (1979) stands out for many reasons. It is made up of equal parts science fiction, thriller and religious high strangeness shot through with touches of CARRIE and CLOSE ENCOUNTERS OF THE THIRD KIND. For years it was considered one of the least comprehensible movies ever made but with the restoration of the full running time in 2010 it is now only mildly incomprehensible. Indeed, with enough squinting and reading between the lines it is almost possible to find a narrative thread that only occasionally feels absurd. Ridiculous to the point of silliness THE VISITOR defies rational concepts of logical progression of story. Let some other movie have police investigations that go somewhere or examples of simple cause and effect in human reactions to inexplicable events. This film scoffs at such needless exercises. And don’t get me started on the exploding basketball that everyone ignores!
 
Troy Guinn, Bob Sargent and I (Rod Barnett) are the three intrepid film nuts that stutter-step their way through this Euro-madness. We wrestle this monster to the ground, fight off seagull attacks, ponder the eternal battle between good and evil and marvel at the cast of Hollywood stars the producer conned into being in this thing. What other movie of this type can boast John Huston, Franco Nero (playing a blonde, blue-eyed Jesus), Glenn Ford, Mel Ferrer, Shelly Winters (playing Mary Poppins’ cousin Mary Slappington), Lance Henricksen and an out-of-his-depth Sam Peckinpah? Is this the most bizarre film ever shot in Atlanta? Was the city’s mayor bribed to indulge the film’s production? How many times will we reference A Flock of Seagulls? Is the amazing prop that Troy dubs ‘Switch-Beak’ silly or brilliant? I cannot promise answers but we will at least pose the questions. Lots and lots of questions.
 
If you have anything to say about THE VISITOR or any other film that we’ve covered thebloodypit@gmail.com is the place to send them. We thank you for listening and we’ll be back soon. 

Sunday, December 15, 2024

The Bloody Pit #207 - BLACK CHRISTMAS (1974)


December brings our annual Holiday Horror episode. This year we discuss the legendary Canadian film BLACK CHRISTMAS (1974) and we have much to say. Turns out this is our tenth year of this Holiday tradition which surprised and slightly freaked me out. But Troy Guinn and John Hudson are rightly proud of our decade long series and glad to finally talk about the one that might have started the whole sub-genre. Sadly, our ages are starting to show, starting with the fact that none of us can remember when we first saw this classic horror film. Very strange.



We dive right in and forego the usual plot synopsis in hopes that listeners will have seen the movie. We lament that we have never been able to read the 1976 novelization and note that a brand new one is coming out any day now. We talk about the actors quite a lot with Troy boldly stating that this is the best ensemble cast of any slasher film ever. Others may disagree. We take the time to point out that phone technology and the concept of an ‘obscene phone call’ seem to have gone the way of the 8-track tape. And we discuss the sure directorial hand of Bob Clark while lamenting his 1990’s career slide into profitable but inane children’s films. Also, we ask the serious question of whether John Saxon ever actually solved a crime onscreen. This will require research!
 
If you have thoughts on BLACK CHRISTMAS (1974) or any other Holiday Horror thebloodypit@gmail.com is the place to send them. Thank you for listening and beware of attic monsters. 

Sunday, October 20, 2024

My Latest Patreon Audio Post - October Watches


I talk about four movies I've watched this October including a 1970's Bava horror film and a sleazy British offering from that same decade.

 

Sunday, August 18, 2024

The Bloody Pit #200 - FROGS (1972)

 

Today the pond – tomorrow the world! Author Mark Clark returns to the show to talk about the epic (?) animal attack film FROGS (1972). We discuss that genre as well as the ecological horror sub-genre that this movie falls into comfortably. The goal with this episode was to limit ourselves to a single movie as a way to control the conversation, but that did not happen. Listing other 1970’s eco-horror movies leads to a slippery slope that has us spending a little too much time talking about GODZILLA VS THE SMOG MONSTER. There is no reining us in!

We discuss the cast and crew as we examine the film’s rather relaxed pace. Mark lays the blame for most of the film’s faults at the feet of the director and I have a hard time disagreeing. I admit to being shocked at the naked upper lip of Sam Elliot and remain convinced his character’s name is significant in describing his place in the narrative. I mean, when the rich family being besieged by frogs is named Crockett the writers were clearly playing with descriptive nomenclature. Or they were just having a laugh. But the most interesting part of the show has to be Mark’s theory about why the movie is named Frogs instead of after any of the more deadly creatures that assault the humans in the story. He may have something there but it had never occurred to me before.
 
If you have any thoughts on FROGS or any of the other ecological horror movies of the 1970’s thebloodypit@gmail.com is the place to send them. Thank you for listening! 


Saturday, August 17, 2024

Video - FROGS (1972) Trailer


Having spent a couple of hours talking about this film I can honestly say my thoughts have changed because of Mark Clark's musings. Don't anyone tell him! 

Saturday, February 24, 2024

Naschycast #74 - WEREWOLF VS THE VAMPIRE WOMAN (1971) with Robert Kelly


Troy and I are joined by fellow podcaster Robert Kelly, host of Record All Monsters and author of Record All Monsters: the Book of the Essays from the Podcast. Don’t worry – he eventually explains the book’s title and his fascination with kaiju films.  

Robert came to his love of Naschy in a very different manner than either of your Naschycast hosts, getting an unexpected full-strength version of WEREWOLF VS THE VAMPIRE WOMAN (1971) as a gift at far too young an age. The ways in which this may have warped his movie loving mind come under discussion as well as his more adult thoughts about the werewolf as a monster. We use the recent Vinegar Syndrome Blu-Ray as a reference to compare some of the differences in the Spanish and English dubs with crazy Pierre getting attention once again. The conversation ranges from odd spots in the narrative to random details that stick in our minds so don’t expect a coherent march through a synopsis. We were much more interested in picking each other’s brains about Naschy’s werewolf films and other favorites from his career. If you have half as much fun as we did you’ll completely enjoy yourself!

If you have any comments or questions naschycast@gmail.com is the place to write. We do plan to record an email episode in the near future so now is the time. Thank you very much for listening and we’ll be back soon.

 

 

Wednesday, January 03, 2024

The Bloody Pit #187 - THE DEVIL'S WEDDING NIGHT (1973)


2024 begins with a 1970’s European horror gem! Bob Sargent joins Troy and I to discuss THE DEVIL’S WEDDING NIGHT (1973). It’s a fun gothic story with Mark Damon and Rosalba Neri (still using the Sara Bay stage name) about vampires, the ring of the Nibelungen and nudity. Lots of nudity! Warning – we completely spoil this one. Sorry but we had to dissect the final scene with its multiple endings.

As usual with this trio we let Bob pick the film and this time he hit a home run. It turned out to be a first viewing for Troy and it was fascinating to have his fresh take on this old favorite. We talk about the film’s genesis with star/producer Damon shopping the script around for a long while before getting it financed. The film is very much an R rated version of the Roger Corman Poe films done with a little less style and a lot less clothing. We pick at the story as we go along but each of us enjoyed the twin roles from the lead and sly, sexy performance from Neri. She is a sight to behold with her electric screen charisma registering here in gigawatts. Her abilities are impressive when just the slightest shift in the tilt of her head can communicate paragraphs of information.  We talk a bit about some of the anachronistic elements in the film and puzzle for a long time over where those satanic henchmen spend their time between virgin sacrifices. And we end up lamenting that this sleazy classic spawned no sequel! How did that happen?

If you have any comments on the film thebloodypit@gmail.com is the place to send them. Thank you for listening and we’ll be back soon.

Wednesday, September 06, 2023

Music - Giallo in tensione (From "Frankenstein '80")

Today on my Patreon page I talk about FRANKENSTEIN '80 (1972) as the sleazy, nasty piece of Euro-Trash that it is. I understand how it can be a difficult film to like as it has a pretty high WTF factor, but I think almost anyone can enjoy this amazing cue from the Daniele Patucchi score. It wouldn't be the first time the music from a movie was more loved than the film itself.