Showing posts with label Leon Klimovsky. Show all posts
Showing posts with label Leon Klimovsky. Show all posts

Saturday, August 26, 2023

Retro Review - I HATE MY BODY (1974)


Philandering husband Ernest is out partying in a nightclub with some co-workers one night. He gets in his car to take one of the secretaries home for the evening for a little mattress bounce but has overestimated his ability to drive while drunk. One crash later the secretary is dead and he is on an operating table breathing his last. Enter mad scientist/doctor of insane medicine Adolph who is pressed by his nurse into continuing his concentration camp experiments on poor Ernest. A gleeful Adolph takes the fellow’s brain out of his dying body and pops it into the body of Leta. It seems that she’d had a terminal brain tumor but her body is in fine shape so it’s a perfect match- right? You would think so - especially if you were a Nazi doctor hell-bent on proving his mad theories to the world.

Of course if you’re a super macho man suddenly placed inside a woman’s body you might think otherwise. Ernst is shocked at his transformation and disgusted by the attention he/she gets from men. He’s still the same old pussy hound with the same old womanizing urges and the idea of sex with a man is just not going to work for him. (Alternate titles - Creation of a Lesbian!; Night of the Lesbian; The Lady Wears a Tie; Is That a Boobie in Your Bra or Are You Just Happy to See Me?) 


Pissed at his new lot in life and suffering some decided shock he seethes with anger. Only able to take being locked up in the hospital for a short time he/she starts a distracting fire, shoves Adolph into it and makes an escape. A visit to his ex (?) wife reveals that she’s now sleeping with his best friend/co-worker and living comfortably off the million dollar insurance policy Ernest left behind. Hard up for money Leta/Ernest tries to get Ernest’s old job at the engineering firm. After all - she has the same qualifications. When that doesn’t work (he/she actually calls his old boss a male chauvinist!) she tries to convince a psychiatrist of her predicament but he dismisses her story. Or he does until he realizes that this is the escaped crazy woman who burned old Dr. Adolph to death! At this point Leta decides to visit her new body’s parents for a break. But Ernest soon learns that Leta has a son from a youthful out of wedlock relationship! Oh my. Not just a woman but a mommy! He/she leaves almost as quickly as he/she arrived exiting the old hometown, setting up house in a boarding room and getting a job in a factory. But when this and a bar job don’t work out Leta hits on a much better plan for cash. It’s time to blackmail Ernest’s wife for half the insurance money.

This is a pretty good but not great slice of sleazy trash. A movie like this often teeters on the edge of unintentional humor but for the most part I HATE MY BODY maintains its balance. In the 1970's the idea of a man in a woman’s body is much more likely to be played for laughs than drama and there are some things in this story that are impossible to present without a bit of humor. I laughed out loud at Leta’s reaction to learning about her son. But for every scene that veered toward amusement there was another that pushed things in the other direction. Once Leta starts making her moves on the insurance money she also tracks down Dr. Adolph’s nurse and beats the hell out of her with a whip. And if there was any doubt about how the film was to be taken the downbeat ending should erase all confusion.

This is by far the weakest of director Leon Klimovsky’s movies that I’ve seen. That doesn’t mean its bad at all, but it doesn’t measure up to his better work. It’s well worth a look for the Euro-curious and it’s a shame the only way to get it is the dubbed scratchy print as it deserves a restored release. 


 

Wednesday, June 19, 2019

Beyond Naschy #28 - THE DRACULA SAGA (1973)


Leon Klimovsky directed dozens of films of all genres but will forever be remembered for his substantial contributions to Spanish Horror. In collaboration with Paul Naschy he made some of the most successful and effective monster movies to come out of Europe in the 1970's. The horror tales he made without Naschy are often overlooked with THE DRACULA SAGA (1973) being a perfect example. Graced with a literate, intelligent script and the music of Bach, Klimovsky brings all of his impressive skill to making a smart and, in the end, surprising take on classic vampire mythology. This one doesn't end the way you might think it will!


Troy and I are clearly thrilled to be back in the Golden Age of Spanish Horror again. We marvel over the very strong cast that includes an actor who played Dracula multiple times over the years but is rarely talked about when discussing screen vampires. Working with the director again is the always wonderful Helga Liné as the matriarch of the cursed family, Maria Kosty as a young, dangerous part of the clan and Betsabé Ruiz as a local bar wench gone vamp. Add in Tony Isbert as a husband with a wandering eye and the talented Tina Sáinz in the lead role and you have a great group of actors giving this story their full attention. And how many Dracula films add the lamia myths to the mix?

If you have any comments or suggestions we can be reached at naschycast@gmail.com or on the show's FaceBook page. Thank you for listening and we'll be back soon with another very rare Naschy film!

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MP3 Download LINK 




Tuesday, June 11, 2019

Trailer - THE DRACULA SAGA (1973)



Podcast on the way soon! 

Tuesday, May 19, 2015

Beyond Naschy #14 - THE VAMPIRES' NIGHT ORGY (1974)


Major spoiler warning! We talk about the entire film this time out, all the way through to the ending image - I just had to!  And  man - this episode sprawled out of control! With great joy, Troy and I cover the Spanish Horror gem THE VAMPIRES' NIGHT ORGY but the verbal side trips stretch the show to a length I am slightly sheepish to see. But maybe the long running time is a good thing? Maybe providing a nearly three hour long podcast is appreciated! I hope.

At any rate, we start out talking about a couple of recent horror films (IT FOLLOWS, THE LAZARUS EFFECT) and in an amusing (and accidental) way this discussion informs our analysis of the film we focus on here. You never know what connections exist, huh?  This the is the eighth Leon Klimovsky feature film we have covered which puts him at the top of the list of directors we have examined. This gives us a chance to talk about the very good qualities he brings to the table as well as the less than admirable choices that seem to consistently afflict his work. We both feel that a through exploration of his lesser known movies might be fascinating as long as we can locate English friendly copies.

The mail sack is full this month but there is always next time, so please drop us a note at naschycast@gmail.com or join us over on the Book of Faces. Also, if you can spare the cash consider stuffing some virtual currency in the jar by tapping the donate button on the right hand side of the blog page. It would help us out! Thanks for downloading and listening.



Friday, May 08, 2015

THE VAMPIRE'S NIGHT ORGY (1974) poster art







Yes, I know the first and last image are of the same poster but one is brighter than the other! I like the contrast. I'm making notes on this one for our next podcast. 

Monday, May 27, 2013

NaschyCast #38 - A DRAGONFLY FOR EACH CORPSE (1974)


We are back and episode 38 brings us back to the roots of our fascination with Naschy's work - the 1970s! Yes! We cover A DRAGONFLY FOR EACH CORPSE (1974) with all the joy of old friends reuniting after a long separation. Naschy plays a tough Italian cop ruthless in his devotion to his job and lucky enough to be backed up by a smart, resourceful wife played by the fantastic Erika Blanc. This is the only film the two made together and considering how well their scenes play its a damned shame. In a better world they would have starred in a series of thrillers like this one throughout the next decade. But, to focus on the positives, we have Leon Klimovsky back in the director's chair, a script co-written by Naschy and a host of returning faces in the cast. It may be a sign of just how far we have come in our love of Spanish Horror but the sight of names such as Eduardo Calvo, Maria Kosty and Ramon Centenero in the cast list is an electrifying thrill. Having these actors pop up in our discussions again is a chance to note how much they add to the film overall and we take our time to marvel over the range they were afforded in their career's prime. In this film Kosty especially is asked to play a wide range of emotions and is a joy to watch.

This movie is generally referred to as a giallo and, although it certainly displays many of the hallmarks of that genre, Troy and I talk about its points of divergence as well. Is a mystery a giallo if the main character is a police officer? Do such distinctions matter? We touch on this and a host of other ideas as we walk through this well paced and exciting thriller. I, of course, get caught up in some of the bizarre elements like Naschy's tie collection and his amazing mustache while Troy seems to be more intrigued by the various ways Erika Blanc can seem both beautiful and scary depending on the camera angle.

We hope you enjoy this one folks. We are happy to be back to talking about Paul Naschy! Please drop us a line at naschycast@gmail.com or join us over on the Facebook page. If you subscribe through iTunes please rate and/or review us over in the iTunes Store. It would really help us out. Thanks for listening!




Sunday, July 15, 2012

NaschyCast #29 - DEATH OF A HOODLUM (1975)



Episode #29 focuses on a lesser known Naschy crime film that turns out to have quite a bit in common with a couple of other of his non-supernatural thrillers. Even with several familiar elements the film turns out to have more than a few surprises in store for us including some shocking slow-mo violence. I guess the influence of Peckinpah's THE WILD BUNCH was still playing out in the mid-1970s - and I have no problem with that!

In this one Naschy plays a hearing impaired thief with a nasty mother fixation and the sexual charisma of Sean Connery. I'm not kidding. His character seems to be able to have his way with almost any and every woman he sees- which isn't all that different from most characters he played, but in this story its a little scary. He's a cold bastard and the film's violence always stems from the relentless nature of his drive to get what he wants.

The film boasts good direction from our old friend Leon Klimovsky, Julia Saly in a red bikini and an excellent performance from actress Carmen Sevilla. The performances are actually very good in every case in this one. DEATH OF A HOODLUM is a pretty good combination of crime tale and domestic drama with just a twisted touch of a distressing coming of age story. Its a strange stew but in general it works so join us as we talk our way through it discussing all points large and small.

You can write us at naschycast@gmail.com to give us your thoughts on all things Naschy or Spanish Horror in general. If you don't want us to include your email as part of the show please be sure to let us know. You can also find us over on The FaceBook at the NaschyCast Fan Page as well so there really is no excuse not to contact us!

NaschyCast #29 LINK

Thursday, September 08, 2011

NaschyCast # 20 - VENGEANCE OF THE ZOMBIES (1973)


In this episode we follow Master Naschy into the world of Voodoo and check out the mad mystery born of crimes too hideous to explain in detail. Those used to the Romero style movie zombies will be surprised by these grave risen killers as they seek neither flesh nor brains to chew on and tend to only do what they are told. Rather well behaved for monsters, I guess. But that means that the thing to fear is the person creating the monsters and issuing the orders and that just might be our main man Paul Naschy- or it might be some other stocky guy running around London with wax effigies and jars of blood.

As we made clear in our comments at the end of the last episode we were not expecting VEGEANCE OF THE ZOMBIES to be a ‘good’ Naschy experience. Some listeners took us to task for that negativity but my memories of the film from my one previous viewing were less than stellar. Both Troy and I were surprised to discover that this is actually a pretty good, if flawed, horror tale with lots to recommend it. This is another Leon Klimovsky directed film and it has all the pluses and minuses associated with his work. It’s a spooky movie filled with amazing things and creepy ideas sandwiched in between some terrible scenes and lathered in a score that only occasionally seems to be appropriate to what you’re watching. Listen in as we remark on the oddest things, such as one character’s resemblance to Dr. Phibes; the possible deal Klimovsky got on rubber masks; the completely ignored live leopard sitting on a table in one scene; the romantic life of Hindu gurus; and the fact that London police have very strange crime scene practices. Also, we introduce our new sister podcast and we both manage to give the show’s name incorrectly! It’s called the Hello Doomed Show and we highly recommend checking it out. Visit the hosts over at Doomed Moviethone and tell’em we sent you!

Remember you can give us your thoughts anytime at naschycast@gmail.com and, like good southern gentlemen, we’re always glad to hear from you. Thanks for listening.

NaschyCast #20 LINK







Friday, February 18, 2011

NaschyCast #13.5 - Beyond Naschy - I HATE MY BODY (1974)


In our first ‘Beyond Naschy’ episode we take a look at Leon Klimovosky’s bizarre gender switch film I HATE MY BODY (1974). To call this a strange film is to undervalue the concept of weird cinema. I have no idea how folks who might have seen this movie at a drive-in theater in the 1970s actually reacted but I can guess that stunned shock would be at least a fairly common response. Until I can dig up a detailed interview with director Klimovsky we will just have to speculate on the reasons for choosing such an outlandish story but that doesn’t stop us from enjoying ourselves and it shouldn’t stop you either. We make sure to not spoil too much of this hard-to-find bit of sleazy Euro-trash even as our discussion rambles all over the place. We talk about the use and misuse of voiceovers, the definition of lesbian sex and the choice of pet names in a relationship. Please forgive my occasional cough as I work my way through a headcold and be glad that, unlike Troy, you weren’t in the room when I had to blow my nose. We can be reached at naschycast@gmail.com and the podcast can be found on iTunes. We look forward to your thoughts.

Naschycast 13.5 - Beyond Naschy MP3 

iTunes LINK 




Thursday, November 04, 2010

NaschyCast #10 - WEREWOLF SHADOW (1971)


After putting it off for months we finally take aim at one of Naschy’s best known and most beloved Waldemar Daninsky tales. Mostly seen in the US on television under its alternate title of THE WEREWOLF VS THE VAMPIRE WOMEN it’s a film near and dear to fans for its sexy bloodsuckers as well as its monster battle. It sports the usual mix of romantic angst, tragic fate, and gory throat ripping violence all whipped together into a heady, unique creature feature that could only have been produced in the swinging 70s. While far from perfect it has more than enough horror entertainment value to keep most anyone staring at the screen – often in amazement and sometimes in complete confusion. But as with most Naschy scripts the story does eventually make a sort of mad sense and this scary suspense tale finds multiple ways to satisfy its audience.

This was the first time Naschy worked with director Leon Klimovsky and his skill makes WEREWOLF SHADOW a truly mesmerizing visual effort. He’s able to craft a fantastic dreamlike/nightmarish feel to many sequences that give the entire film a haunting quality. The cast is strong and the lovely ladies are very good but I’m really surprised old Waldemar only manages to sleep with one of them. It’s like he wasn’t even trying! The same can’t be said of his acting performance, though. Naschy is very good throughout with his ability to emote getting better and better as he learned his craft on the job. His earnest work here points toward the great work he would do over the course of the next few years.

Among the astonishing things we learn in this episode is that there is more than one way to kill a vampire; that neck meat is the tastiest kind of meat; that mini-skirted women roam the French woodlands at all hours of the night; that full moons don’t necessarily come in threes and for some reason Satan fears werewolves.


As usual the show is available from iTunes and Podcast Alley as well as from this bright, shiny LINK. Please drop us a line at nashcycast@gmail.com and tell us how we're doing.


Sunday, July 04, 2010

Naschycast #6 - DR. JEKYLL AND THE WOLFMAN


It's that time of the month my friends, so gather round! The moon is rising and so is our favorite hairy beast. This time out Naschy indulges his love for the Monster Mash and combines two unlikely members of the classic horror gallery for a romp through swinging London. Knowing that putting these two together requires some work Naschy first takes us to the rural villages of the Carpathian Mountains for a gothic tinged introduction to our old friend Waldemar Daninksy before his trip to England in search of a cure for his problem. The grandson of the infamous Dr. Jekyll agrees to try an unorthodox (and completely nutty) method of dealing with lycanthropy, but, as is usual in a Paul Naschy script, things don’t go quite as well as our poor cursed man might hope.

This was the sixth Waldemar Daninsky adventure and it’s a good one. Once again rebooting the character from scratch we have the tortured soul hoping for deliverance from a hellish life and given some small measure of happiness by the love of a beautiful woman. It’s a shame the village people hate him so! Troy and I have a great time going through this one point by point finding pleasures both large and small even if I have to be reminded that Hombre Loco is a very different thing from Hombre Lobo!

Available on iTunes, Podcast Alley and directly at the link below. Please send any comments or question to us at naschycast@gmail.com

NaschyCast #6

iTunes LINK 

Monday, February 11, 2008

I HATE MY BODY (1974)


I’ve been a fan of Leon Klimovsky for years. He directed several of my favorite Paul Naschy movies (DR. JEKYLL AND THE WEREWOLF, THE PEOPLE WHO OWN THE DARK, WEREWOLF'S SHADOW, etc.) and I love THE VAMPIRE’S NIGHT ORGY so I was anticipating a good movie. But what I got was something I was not expecting.

Philandering husband Ernest is out partying in a nightclub with some co-workers one night. He gets in his car to take one of the secretaries home for the evening for a little mattress bounce but has overestimated his ability to drive while drunk. One crash later the secretary is dead and he is on an operating table breathing his last. Enter mad scientist/doctor of insane medicine Adolph who is pressed by his nurse into continuing his concentration camp experiments on poor Ernest. A gleeful Adolph takes the fellow’s brain out of his dying body and pops it into the body of Leta. It seems that she’d had a terminal brain tumor but her body is in fine shape so it’s a perfect match- right? You would think so- especially if you were a Nazi doctor hell-bent on proving his mad theories to the world.

Of course if you’re a macho man suddenly placed inside a woman’s body you might think otherwise. Ernst is shocked at his transformation and disgusted by the attention he/she gets from men. He’s still the same old pussy hound with the same old pussy hound urges and the idea of sex with a man is just not going to work for him. (Alternate titles- Creation of a Lesbian!; Night of the Lesbian; The Lady Wears a Tie; Is That a Boobie in Your Bra or Are You Just Happy to See Me?) Pissed at his new lot in life and suffering some decided shock he seethes with anger. Only able to take being locked up in the hospital for a short time he/she starts a distracting fire, shoves Adolph into it and makes an escape. A visit to his ex (?) wife reveals that she’s now sleeping with his best friend/co-worker and living comfortably off the million dollar insurance policy Ernest left behind. Hard up for money Leta tries to get Ernest’s old job at the engineering firm. After all- she has the same qualifications. When that doesn’t work (he/she actually calls his old boss a male chauvinist!) she tries to convince a psychiatrist of her predicament but he dismisses her story. Or he does until he realizes this is the escaped crazy woman who burned old Dr. Adolph to death! At this point Leta decides to visit her new body’s parents for a break. But Ernest soon learns that Leta has a son from a youthful out of wedlock relationship! Oh my. Not just a woman but a mommy! He/she leaves almost as quickly as he/she arrived exiting the old hometown, setting up house in a boarding room and getting a job in a factory. But when this and a bar slut job don’t work out Leta hits on a much better plan for cash. It’s time to blackmail Ernest’s wife for half the insurance money.

This is a pretty good but not great slice of sleazy trash. A movie like this often teeters on the edge of unintentional humor but for the most part I HATE MY BODY maintains its balance. The central idea of a man in a woman’s body is much more likely to be played for laughs than drama and there are some things that are impossible to present without a bit of humor. I laughed out loud at Leta’s reaction to learning about her son. But for every scene that veered toward amusement there was another that pushed things in the other direction. Once Leta starts making her moves on the insurance money she also tracks down Dr. Adolph’s nurse and beats the hell out of her with a whip. And if there was any doubt about how the film was to be taken the downbeat ending should erase all confusion.

This is by far the weakest of director Leon Klimovsky’s movies I’ve seen. That doesn’t mean its bad at all but it doesn’t measure up to his better work. It’s well worth a look for the Euro-curious and it’s a shame the only way to get it is the dubbed scratchy print that Something Weird sells. A nice boxed set of Leon’s movies from Blue Underground or No Shame would sure be nice.