Beautiful Mystery Poster Art

I have brazenly stolen this image from David Zuzelo's excellent blog and I'm in love with this art work. I have no idea what film it was painted for and my search of the IMDB has yielded only questions. I can't even hazard a good guess so I'm turning to the three to four people that actually read this sad little blog- What movie is this poster supposed to advertise? Help a guy out if you can! And if you can only guess, that would be fine too.

Robbie the shoe salesman?

I think I need to rewatch FORBIDDEN PLANET some time soon. I don't remember this scene at all!

30 DAYS OF NIGHT (2007)

30 DAYS OF NIGHT is a good horror film but not a great one. That’s a shame. I was really hoping for a great one. Don’t get me wrong. It is good. It’s got a great premise, solid acting, is well directed (for the most part), has a number of very scary moments and actually has the wisdom to have a fairly bleak ending. It has the strength of an R rating in these days of the PG-13 in that it doesn’t shy away from the violence and keeps the tension level pretty high. Its best described as part NIGHT OF THE LIVING DEAD and part Carpenter’s THE THING- and that’s a good combination in my book! Snowy cold creepy stuff always hits my sweet spot. Hint to all horror filmmakers- the quickest way to appeal to me is set your scary tale in winter.

My one real complaint with the movie is an odd one to have to deal with. Strangely, the film feels as if a big part of the narrative is missing. I don’t mean that the story got chopped down reducing the source comic book to a manageable length for film. I mean that there are three or four moments in the movie when the story leaps forward in a sloppy way that just screams SCENES MISSING. I seriously think that there is at least 10 to 15 minutes of footage that was cut out- probably to adhere to some specific desired running time. Indeed, I’m willing to bet that a longer version of the film will be released on DVD eventually if not right off the bat.

I find this kind of disappointing. I liked the film and to a degree my perception of these missing parts didn’t keep me from giving it a thumbs up. But more and more we’re not getting the whole film anymore in the theaters. Even the version of DEAD SILENCE I raved about a week ago was a minute longer than what was shown theatrically. I guess times have changed. Maybe its better to wait to see these things at home when the full movie can be chosen instead of a shortened cut.

ELVIRA'S HAUNTED HILLS (2002)

Rarely am I surprised by a comedy. Comedies should surprise me because most comedy (i.e. causing laughter) is predicated on an unexpected (hence surprising) something that strikes me as amusing. But most comedies made these past 20 or so years just fall flat for me. Maybe too many Three Stooges shorts as a kid ruined me for the brilliant subtleties of Adam Sandler. One of the hardest things to manage in the horror genre is the combination of comedy with horror. You run the risk of either not being funny or not being scary and if you manage one but not the other the film seems way off. Or stupid. For a good example of a shitty attempt at this check out either of Stephen Sommers’ MUMMY films. Or don’t Yeah- don’t. Ever.

In recent years SHAUN OF THE DEAD hit the ball out of the park but I have to go back to RETURN OF THE LIVING DEAD to think of another good horror/comedy. They just aren’t common so I wasn’t expecting much from ELIVRA’S HAUNTED HILLS. And, to tell the truth, I didn’t get a lot. It’s not the funniest film, it’s not very scary and it’s not all that great over all really. But it has its grinning heart in the right place and that goes a long way with me. Color me surprised.

I went in with no information about the movie and was amused when the credits played out over a background of swirling multicolored paint. I chuckled and said out loud (even though I was alone in the room- no jokes), “Looks like the Corman Poe credit sequences.” Fifteen minutes later it slowly dawned on me that the entire film was an homage to those wonderful films from the 1960s. This became hard to miss as the story combines parts of HOUSE OF USHER, PIT & THE PENDULEM, TOMB OF LIGEIA and a touch of PREMATURE BURIAL. Adding to the fun is the inclusion of a hunky male character that Elvira lusts after who is hysterically dubbed. This knowing but affectionate nod to the great European made gothics of the period is quite nice and made me smile. My favorite line in the film has to do with Elvira wondering how this guy manages to speak so well when his lips don’t ever match his words. Good times!

Of course, the film isn’t fantastic. Except for a few great lines aimed at fans of the Corman movies the humor is pretty broad centering on the usual Elvira breast and sex gags. And only a few times does the movie evoke a neat chill. But the spirit of fun and the obvious love for what they are parodying shines through the whole time. It’s not a great movie but it is kind of fun and would make a good second feature after one of the Poe tales that inspired it.

DEAD SILENCE (2007)

Each October I watch a lot of horror movies. I tend to mix classics I want to revisit with new stuff I hope will be good. Of course, I’m always on the hunt for new horror films that don’t stink up the room and make me wish I’d just watched television that night, but in October this search intensifies. Usually I start casting about for movies that I might have written off earlier, digging a little deeper than average hoping for a surprise. I call it panning for gold but someone else might call it sifting through shit. Whatever you want to call it, I occasionally find a nugget of the pure stuff. That happened with this film.

Back in early 2007 I saw a trailer for DEAD SILENCE and dismissed it out of hand. I saw a ventriloquist dummy, thought “MAGIC for the 21st century” and never thought of it again. But over the last few months I’ve started listening to a great horror film related Podcast called DeadPit.com. Now despite being named after a pretty crappy 80’s film the two Kentucky guys that hold court on this show are funny, informed and honest in their opinions. I certainly can’t say I agree with them all the time (MONKEY SHINES is a damned good movie) but we share a hatred of Eli Roth so I’m on their side in most instances. One of the great things about any sustained conversation on a favorite topic is that it tends to focus the mind and listening to these fellow fans has had that effect. They’ve made me think a bit harder about what I like and what I don’t. I should probably thank them for that one day. So when one of them commented that he had liked DEAD SILENCE and thought it tried to do something fresh in the genre I took note. A quick trip to the NetFlix cue and I settled down to view it with mild expectations.

In a word- WOW! This is one damned good little ghost tale! Not a ventriloquist story really but a horror story about decades long revenge and murder that has a number of nice surprises and at least 5 or 6 stand out scare moments that are simply masterful. When a film is good enough to evoke chills from the sight of a pale white hand inching its way around a wooden post you know you’re in the hands of people who understand horror. And this is the rare film that gets better as you think more about it afterwards. I almost want to watch it again just for the joy of being played so well.

The film tells the story of a young man and his wife who have moved away from the small town in which they grew up. One night they receive an unmarked package containing an old but well kept ventriloquist dummy. Both of them remember an odd story and rhyme they heard as kids about someone with dummies like this one. That same night, while the husband is out of the apartment, his wife is murdered and her tongue ripped out leaving her looking a lot like the wooden doll. Under suspicion for the death he travels back to the couple’s hometown to find out who sent the dummy to them and discover the reason for his beloved’s murder.

That’s all I’m going to tell you other than this is a wonderfully creepy, atmospheric, beautifully photographed and pleasingly well paced horror movie. It is easily one of the best in the genre I’ve seen in many moons and I regret not seeing it on the big screen. I don’t want to over praise it and possibly build up too much anticipation but I really do recommend this one. This is exactly the kind of good, scary movie we need more of these days. It’s a shame it tanked at the box office but maybe we can make it a hit on DVD.

Rod says- CHECK IT OUT!

UNIVERSAL HORRORS

I'm happy to report that it turns out that I was wrong about how Universal was going to lay out the five films in their new Classic Movie Archive currently available only through Best Buy. The movies are laid out on two DVDs with THE BLACK CAT (1941 version), MAN MADE MONSTER and HORROR ISLAND on the first. NIGHT MONSTER and CAPTIVE WILD WOMAN share disc space on the second. Considering the short length of these films this is a good choice making it easy to go on a binge of 1940s horror without leaving your chair!

I'm also happy that now I've been able to finally see NIGHT MONSTER (1942). It's one of the very few movies staring Bela Lugosi that I've never caught up with (and I'll get to MURDER BY TELEVISION one day). It turns out Bela is a minor part of the story but the movie is pretty darned good any way. As a matter of fact, I'd say its the second best of the five. Of course, the real gem of the set is the great little Lon Chaney, Jr. film MAN MADE MONSTER. I think Chaney gives one of his best and least hammy performances here. I actually prefer his work as an actor in this one to his turn in THE WOLF MAN.

I love this poster art from the 1953 re-release. Somehow the title change just doesn't thrill me, although I'm sure it fooled plenty of folks looking for the latest atomic mutant film.

Cushing & Lee- together again!