Happy Thanksgiving!

 

Superman in the Macy's Thanksgiving Day Parade

 I'm not sure if the Big Blue Boy Scout will be in the parade this year or not but his presence there at various points in the past are fun to see.

Deathlok Comic Book Cover Gallery

I still hold out hope for a Deathlok film.

 

Trailers From Hell - STAR TREK: THE MOTION PICTURE (1979)

Comedian and massive Trek fan Dana Gould does the honors of giving a bit of background on the first feature film. 

What I Watched in October 2025

I find myself in an odd position with the Tron (now) trilogy. I still do not think much of the original TRON (1982) film, considering it fairly dull and only intermittently visually interesting. Since it was a box office flop I suspect I wasn’t the only viewer that thought it was less than wonderful but the highly successful video game and associated ephemera made the film stick to the lower levels of public imagination over the decades. In 2010 curiosity and the desire to hang out with a pair of buddies lead me to see TRON: LEGACY theatrically and I was surprised to enjoy it far more than the first film. With that movie the creators seemed to have found an engaging reason for revisiting the world setup but it still didn’t manage to earn big money. With a second financial failure on their hands Disney once again let the concept go fallow with no direct follow up happening. Cut to 2025 and the franchise rises from the dead yet again with TRON: ARES. Shockingly I really enjoyed it. Sporting an actually interesting plot to bolster the amazing special effects it is an engaging bit of science fantasy that has a slick feel and a winking sense of humor. I was expecting it to be terrible but I left the theater with a grin on my face. Is this a franchise that gets better with each new entry? It really is a shame considering the box office failure of this one means no new Tron cinema for a decade or so if the time between sequels/cash-in attempts continues to shrink. 

The List

ONE BATTLE AFTER ANOTHER (2025) – 8

SUCCUBUS (1968) – 7 (rewatch)

SNAPSHOT OF A CRIME (a.k.a Istantanea per un delitto) – 4 (weak Italian thriller)

SWEETS FROM A STRANGER (1987) – 6 (dry giallo with an interesting ending)

NIGHT OF THE REAPER (2025) – 7 (well done tale of a small-town killer)

DEMON WITCH CHILD (1974) – 6 (rewatch on Blu)

HOUSE ON EDEN (2025) – 4 (found footage failure)

TRON: LEGACY (2010) – 7 (rewatch)

THE HAND OF NIGHT (1968) – 5 (mediocre British made Moroccan vampire tale)

CLOWN IN A CORNFIELD (2025) – 4 (tone is all over the place in this horror/comedy)

SILVER BULLET (1985) – 5 (finally saw it)

TRICK OR TREAT (1986) – 6 (rewatch on Blu)

DEATH PACKS A SUITCASE (1972) – 6 (Jess Franco krimi that looks magnificent on Blu)

TRON: ARES (2025) – 7 (far better than I thought it would be)

MONSTER ISLAND (2025) – 7 (Hell in the Pacific crossed with Humanoids from the Deep)

THREE CASES OF MURDER (1954) – 6 (interesting anthology film)

DANCE OF THE DAMNED (1989) – 3 (dull vampire tale)

RITA THE MOSQUITO (1966) – 6 (Italian musical comedy)

STAY (2025) – 7 (effective ghost tale about grief)

THE ENCHANTED (1984) – 8 (brilliant Florida folk horror)

BLACK PHONE 2 (2025) – 8 (emotional and effective expansion of the idea)

HOUSE OF DRACULA (1945) – 6 (rewatch on Blu)

OTHER (2025) – 8 (excellent creepy mystery)

DOLLS (1987) – 5 (rewatch)

PHANTASM (1979) – 8 (rewatch on Blu)

PHANTASM II (1988) – 8 (rewatch on Blu)

THE CURSE OF FRANKENSTEIN (1957) – 8 (rewatch on Blu)

THE MAN WHO WOULDN’T DIE (1989) – 6 (Italian crime tale)

HALLOWEEN (2018) – 8 (rewatch on Blu)

EL PUEBLO FANTASMA (1965) - 6 (Mexican vampire western)

I KNOW WHAT YOU DID LAST SUMMER (2025) – 7 (surprisingly solid sequel)

SHELBY OAKS (2025) - 6 (good idea that needed more ‘zip’)

PHANTOM OF THE OPERA (1989) – 6 (surprisingly well done)

FRANKENSTEIN (2025) – 9

DRACULA RISES FROM THE GRAVE (1967) – 7 (rewatch on Blu)

THE DEVIL’S NIGHTMARE (1971) – 7 (rewatch on Blu)

DEMONS OF PARADISE (1987) – 4 (mediocre monster tale)

 

Wild, Wild Podcast - THE YEAR OF THE CANNIBALS (1969)

 

In a dystopian Milan, a failed revolution has left the Fascists in charge and the streets littered with dead rebels. Antigone (Britt Ekland) seems to be the only sane person left, determined to defy the authorities and her parents to retrieve the body of her brother and give him a proper burial. When she meets a mysterious man who has great hair but speaks an unknown language (played by Pierre Clementi), their destinies in this strange tyrannical world become entwined. Oh, and also her boyfriend is Tomas Milian.

In this episode we are exploring the early work of the important and often controversial director Liliana Cavani, and although we have not started a cannibal film mini-season (as has been frequently requested by some listeners), this is still a fascinating and important piece of work which was neglected at the time but is hopefully becoming reappraised, at least by us. Join us for some serious discussion about the impact Cavani's early television documentary work had on her subsequent cinema career, the often unsung but heroic work of background extras, and whether or not that really is Britt Ekland running naked through the streets of Milan.

We would love to hear from you about your favorite Italian female filmmakers, or your recommendations for other late 1960s revolutionary films.

You can get in touch with us, follow us on social media, buy our merch, and all that stuff, through our LINKTREE.

Metamorpho Comic Book Cover Gallery

Now that we've had a live action version of this character I hope to see more merchandise made available for longtime fans such as my self. And the weirder the better!