Lee Van Cleef is one of the most recognizable actors in the
spaghetti western genre. If he'd done nothing more than turn in his fantastic
performances in For a Few Dollars More and The Good, the Bad
& the Ugly he would have cemented his place in fans' hearts. But those
two genre-defining films were just the beginning for Lee Van Cleef. A bit
player in Hollywood for years, he had never been able to land any really big
starring roles but a movie fan with sharp eyes can spot him in dozens of films
starting in 1952's High Noon. He was the man tasked with shooting a
radioactive bullet into The Beast from 20,000 Fathoms, a gangster in
several 1950s Noirs and seems to have appeared in at least one episode of every
western television series produced in the '50s and '60s. His one starring role
in '
Hollywood'
was as the deluded scientist who helps an alien from Venus attack our planet in
Roger Corman's It Conquered the World in 1956. I'd love to know what
he thought his chances for career enhancement were when he signed on to make
westerns with crazy Italians but I bet Clint Eastwood's sudden rise to stardom
caused him to think big things were possible. It certainly turned out well for
him! After the huge success of the Leone films worldwide LVC went on to star in
at least a dozen more westerns including two Sabata films, the brilliant Death
Rides a Horse, the western/mystery hybrid
The Grand Duel and even a Magnificent
Seven sequel. With Take a Hard Ride Van Cleef entered into
another sub-genre, the western/blaxploitation combination - a bizarre
amalgam that deserves a book written about it though it was woefully
short-lived. This was also his second collaboration with veteran Italian
director Antonio Margheriti with whom he'd made The Stranger and the
Gunfighter just the year before and would work with again in 1983 for Codename:
Wild Geese. While Take a Hard Ride wouldn't rank near the top of
either man's resume it is a solid movie even if its flaws are all too apparent
and, all too often, silly.
Since they get the lion's share of screen time one could argue effectively that
the real stars of this film are Jim Brown (Black Gunn) and Fred Williamson (The
Inglorious Bastards). Indeed, after a brief sequence at the very start of the
film to set up Van Cleef as cold-hearted bounty hunter Kiefer, it becomes clear
that the focus of the tale will be Brown's character, Pike. Pike is the trusted
right-hand man of rancher Morgan (Dana Andrews), who has just gotten a herd of
cattle to market. The herd was a communal project for the small Mexican town
Morgan is hoping to help become a stable ranching community. Sadly, the night
after the sale the old man dies of a heart attack and with his final breath asks
Pike to make sure the $86,000 gets back to the town. Pike takes this
responsibility seriously and sets out to keep his pledge even as every
criminally minded scumbag within 100 miles starts making plans to rob him.
Among these dastardly folks is professional gambler and card cheat Tyree
(Williamson). Being smarter than the average crook he meets up with Pike and
first helps him fight off a group of bandits before informing him he wants the
money just as much as anyone else. But having formed a mutual respect the two
men decide to work together until they get to Mexico when all bets will be off.
Bounty hunter Kiefer decides to make a grab for the money but after witnessing
the gunplay skills Pike and Tyree possess he opts to pull most of the criminals
hunting for them into a group to have a better chance. Offing the few that
don't want to join up or running them off the trail he follows along while the
two black men trade verbal quips and sniff after the other's possible breaking
points. In their trek across the desert landscape the two partners come across
a stage under attack by some bandits. Killing the bad guys they rescue
ex-prostitute Catherine (Catherine Spaak) but are too late to save her good
hearted husband. She elects to travel with them until a town can be reached and
in tow is her servant/bodyguard Kashtok (Jim Kelly), a half-Indian mute who
appears to have studied under Bruce Lee. Will this group of four be able reach
civilization alive and with the money or any combination of the two?
At one point Fred Williamson's character Tryee says, "Everybody
has a sad story in their past." As Take a Hard Ride goes on
we learn some of these sad stories and how they made the people we are
traveling with tick. Pike is a formerly bad man trying to maintain his dignity
even as Tyree asks him repeatedly why he would want to keep his word to a white
man. Tyree is a man all too aware of the restrictions his black skin places on
him and while keeping a smile on his face plots to get what he wants. Catherine
is a sad lady unsure of her future and afraid she'll not be able to leave her
past behind. Kashtok is a man of two different cultures who doesn't fit into
either. And Kiefer is a black-hearted, intelligent and rational man pursuing
money with little thought as to why. Placed into this scenario all the flaws
and strengths of these people come out leading to some surprising actions. Even
if certain sacrifices are never going to be understood by the survivors the
influence these people have on each other will last a long time.
But I'm making this out to be a glum tale and its not.
Besides the banter between Brown and Williamson there are some great chases,
fantastic gun battles and some well choreographed fights.
Hollywood
legend Hal Needham was the stunt coordinator for the film and it shows in the
exciting and believable actions scenes. Director Margheriti has all the
elements in place to make a good western and does a damned good job with the
material. Margheriti's westerns never reach the mindbending highs of Leone or
Corbucci but he also never seems to be aiming for those highs. His westerns are
more low-key, less arch with their pleasures usually more subtle in their
effect. I almost always enjoy a Margheriti western more the second and third
time I watch it. I fear this is because I'm so used to Spaghettis being such
'big' entertainments that, when I see one that aims at a different target, I
have to adjust my expectations to notice what's in front of me. That's not to
say Margheriti's films aren't entertaining — they're just not entertaining in
the same way that the often tongue-in-cheek spaghettis sometimes are. I think
this stylistic difference accounts for the general low regard fans of the genre
have for his westerns, which is a shame. Watching this film more than once
shows an intelligence behind the camera that is easily missed on first
impression. Nearly every shot is framed with a skilled eye to position each
character in relation to the others for an effect. Someone will be foregrounded
at the beginning of a scene as the character tries to argue against something
and then advance into frame becoming smaller as they lose the argument until
they are smallest object in the scene. This kind of thing occurs repeatedly in Take
a Hard Ride, and even if you don't notice it these techniques have their
intended effect. That's just excellent filmmaking and it's rarely talked about
in this genre with its focus on action and violence. Westerns can be artistic
even if most hardcore aficionados would sneer at the idea.
Another great thing about this film is the beautiful
location work. Filmed in the Canary Islands off
Morocco's coast, the movie looks
fantastic and forbidding at the same time. Being an Italian/American
co-production, there are more
Hollywood players
in the cast and crew than most spaghettis usually sport. Besides the short
performance from Dana Andrews (Curse/Night of the Demon), there's a small part
for the great Barry Sullivan and juicy bad guy roles for recognizable character
actors Harry Carey, Jr. and Robert Donner. The score is by the brilliant Jerry
Goldsmith (Planet of the Apes), who turns in a damned good suite of music that
I think I'll have to obtain on CD eventually.
Not that the film is without problems. Most viewers will
enjoy the rousing, explosive final battle but will be unsatisfied with the fate
of Lee Van Cleef's Kiefer. I loved this odd, poetic turn but its
'scorpion-stinging-itself' aspect will turn off those looking for a more
conventional ending for such a bad guy. Another troubling element is Kashtok
the mute halfbreed played by athlete Jim Kelly (Enter the Dragon). Kelly does
what he can with the role but the inclusion of a martial arts bad ass makes it
hard to take some scenes seriously. High kicking like a Navajo Jackie Chan, it
becomes silly and throws off the tone of a few of the fight scenes. The truth
is that the film would have been just as good and maybe better without this
character at all. A simple rewrite of a few scenes could have eliminated him
altogether and made Catherine's predicament in the desert even more troubling.
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