Wednesday, November 30, 2022
Monday, November 28, 2022
Captain Science Comic Book Cover Art
Friday, November 25, 2022
The Bloody Pit #161 - It's Alive! by Julian David Stone
This episode I welcome writer Julian David Stone to discuss
his new novel, It’s Alive! The book explores the struggle to produce FRANKENSTEIN
(1931) at Universal Studio. Stone’s story uses the perspectives of Bela Lugosi,
Boris Karloff and studio head Carl Laemmle, Jr. to relate the difficult path to
getting that revered classic film off the ground. We get inside the heads of this
trio of talented people giving us an insightful view of each and their
motivations during this important period in film history. Fans of the Universal
classic horror movies often think of these films in terms of one success leading
inevitably to another but the resistance to bringing these macabre tales to the
screen was strong. ‘It’s Alive’ presents an excellent look at the battle to
create not just one movie but an entire cycle of them that changed how
Hollywood thought about horror cinema.
Of course, I can’t have a discussion that touches on the
Universal horror films without the conversation spiraling out to other movies
in the series. We dig a little into favorite entries including defenses of some
of the underpraised films of later years. As expected, Mr. Stone is a Monster
Kid from way back and his love for these film shines through. We had a great
time talking and I can highly recommend It’s Alive!
If you have any comments or questions thebloodypit@gmail.com is the place to
write or send voice messages. Thank you for listening and we’ll be back soon.
Thursday, November 24, 2022
Tuesday, November 22, 2022
Video - Animated Flash Gordon Classic Style!
Sunday, November 20, 2022
Friday, November 18, 2022
FRANKENSTEIN 1970 (1958) Poster Art
Wednesday, November 16, 2022
What I Watched in October 2022
BARBARIAN (2022) is a horror thriller that does an excellent
job of keeping the darker edge of its central premise hidden until the second
act. In fact, it might be possible – if you could avoid the trailer or the ongoing
online discussions – to see the film and wonder if it was going to be a meet-cute
romantic drama. The initial lead characters are likeable and their situation compelling
in ways that draw you into the scenario. It helps that both are being played by
solid actors capable of walking the fine line between wary and curious. The
point at which the film pulls its first narrative split is masterfully handled
as the story switches to a third character we learn to dislike and slowly to
distrust. But then the film adds another wrinkle that shows us the past awfulness
that brings this entire tale to horror territory. BARBARIAN is a well made and
smart film that knows its tricks are old but makes up for that by inventing new
ways to hide their inevitable culmination. You have probably seen a version of
this story before but not told in this way. That makes me appreciate the film
that much more.
UNINVITED (1987) – 5 (not bad but the budget hampers things)
THE MUNSTERS (2022) – 7
LADY MORGAN’S VENGEANCE (1965) – 6 (interesting gothic
gaslighting tale)
HOUSE (1985) – 5 (rewatch)
TRICK ‘R’ TREAT (2008) – 9 (rewatch on the big screen)
STRIPPED TO KILL (1987) – 4
DOCTOR SLEEP (2019) – 9 (rewatch) (director’s cut on Blu)
THE HORRIBLE SEXY VAMPIRE (1971) – 5
HOUSE II: THE SECOND STORY (1987) – 5 (mostly a waste but –
stop-motion!)
BLOOD RED SKY (2021) – 9 (very well done)
SMILE (2022) – 6 (well-made, but not as engrossing as I
hoped)
THE MUMMY (1933) – 9 (rewatch)
THE MUMMY’S CURSE (1944) – 6 (rewatch)
FRANKENSTEIN AND THE MONSTER FROM HELL (1974) – 8 (rewatch
on Blu)
HALLOWEEN ENDS (2022) – 7
DARK GLASSES (2022) – 6 (Argento returns for an OK thriller)
THE BLACK CAT (1934) – 9 (rewatch)
THE RAVEN (1935) – 8 (rewatch)
HOUSE OF FRANKENSTEIN (1944) – 7 (rewatch)
CRUCIBLE OF HORROR (1971) – 6 (interesting British creeper)
PARSOMNIA (2008) – 4 (needs to be about 15 minutes shorter)
X (2022) – 9
FATAL EXAM (1990) – 3 (needs to be about 30 minutes shorter
– at least)
HALLOWEEN 5: THE REVENGE OF MICHAEL MYERS (1989) – 4
(rewatch)
MEMORIAL VALLEY MASSACRE (1989) – 3 (low budget backwoods
slasher)
HALLOWEEN II (1981) – 7 (rewatch)
SCARE PACKAGE (2020) – 5 (mostly unfunny, poorly paced
anthology horror – last act ups it a point)
RENEGADE RANGER (1938) – 5 (standard B-western)
DON’T DELIVER US FROM EVIL (1971) – 7 (excellent French tale
of adolescent obsession)
FREDDIE’S DEAD: THE FINAL NIGHTMARE (1991) – 4 (rewatch)
SURVIVAL OF THE DEAD (2009) – 7 (rewatch on Blu)
SHALLOW GRAVE (1987) – 7 (surprisingly solid thriller)
PHONE (2002) – 7 (well done South Korean ghost tale)
GOODNIGHT, MOMMY (2022) – 8 (good psychological horror)
THE DEEP HOUSE (2021) – 8 (very good French horror)
FRIDAY THE 13TH PART 6: JASON LIVES (1986) – 7
(rewatch on Blu)
DEADSTREAM (2022) – 7 (entertaining, funny take on
livestreamed ghost hunting)
SCOOBY DOO AND KISS: ROCK AND ROLL MYSTERY (2015) – 6 (fun
animated adventure)
THE KILLER MUST KILL AGAIN (1975) – 8 (rewatch)
SHOCK (1977) – 7 (rewatch on Blu)
TERROR ABOARD (1933) – 6 (good pre-code murder thriller)
THE RETURN OF THE VAMPIRE (1943) – 8 (rewatch)
Monday, November 14, 2022
Sunday, November 13, 2022
Magazines and Monsters #53 - THE BEAST MUST DIE (1974)
On the latest episode of Magazines and Monsters Nic Brown
and I are guests to discuss a 1970’s werewolf movie! THE BEAST MUST DIE (1974)
is a rare non-anthology horror film from Amicus productions and that is one of
many reasons it stands out. Another is that this is a werewolf film in which
the creature eschews the standard cinema two-legged Wolf Man variant for a
four-legged wolfy monster. This choice is usually given by viewers as they turn up
their noses at the film but fans of the movie think it has caused this
mystery/horror hybrid to age very well. Others dismiss the film for it’s famous
Werewolf Break in which the audience is given a minute of paused screentime to
make a guess about the identity of the secretive lycanthrope. I’ve often
wondered how many people actually solve the mystery before the final reveal.
The three of us discuss the movie from top to bottom defending much of it and suggesting fixes for certain strange moments. We had a great time with this film and hope you’ll enjoy listening.