VENOM (2018) is a stand alone off-shoot of the Sony Spider
Man films. It doesn't seem to reference the other films in any way so it can be
seen as a form of reboot, I suppose. I had some hopes for this to be a fun film
based solely on the cast. I think Tom Hardy is a fantastic talent with natural
screen charisma and Michelle Williams has never seemed less than letter perfect
in any role she attempts. But, sadly, this film wastes them and their
impressive efforts on a script that just cannot be bothered to generate much
interest. The entire things feels artificial from the relationships, the plot
and even the underlying ideas. Nothing seems to
fit together properly giving the story a disjointed feeling. It might as
well be cobbled together from random issues of the Venom comic book for all the
sense it makes and maybe it was. It can't even manage to strike a solid tone
for it's ending leaving the entire thing feeling more like a mess than it had
to, really. In the end the film is bland and forgettable. If they make a sequel
there is nowhere to go but up from this flat starting point.
OVERLORD (2018) should have been much better than it is. The
scenario reads like either a first person shooter video game or the most
perfect SF tinged WWII film of all time. Just before the D-Day invasion of Normandy a squad of American soldiers parachute into
occupied France
to destroy a German communications jamming station. Almost immediately the
group is reduced to a handful of survivors but they continue to their objective
enlisting a local young woman's aid. Once in the country town the soldiers
learn that the French citizens have been systematically taken into the castle
headquarters for hideous human experimentation. Since the target is in the same
place they decide to destroy both problems with one attack but are well aware
that their small numbers mean there is little chance of survival. Everything is
in place for a rousing action film with mad scientist created monsters in a
WWII setting. Cool! But then the script falters.
At a certain point our main character leaves the cottage in
which the soldiers are hiding for less than clear reasons. And then he manages
to stumble, fart and fall inside the castle with none of the German troops ever
spotting him. He gets into the deepest areas of the laboratory, sees the
important information and gets out of this highly guarded place without a
single person laying eyes on him. Once. This sequence breaks the movie for me.
I kind of enjoyed the third act because it's a well played action set-piece but
this pathetic way of getting the American characters the necessary intel is
just terrible screenwriting. I wasn't bothered by the unhistorical mixed race
American army of the 1940's in the film because we're here to see Nazi monsters
get splattered. But this idiotic plotting disaster is just too much. The whole
sequence needed to rewritten. Oh well.
THE LIST
THIS NIGHT I WILL POSSESS YOUR CORPSE (1967) - 7 (rewatch)
GHOSTKEEPER (1981) - 6
VENOM (2018) - 4
THE BOWERY BOYS MEET THE MONSTERS (1954) - 5
MACON COUNTY LINE (1974) - 7
THE VAMPIRE'S GHOST (1945) - 4
MAD DOCTOR OF BLOOD ISLAND (1964) - 4 (rewatch)
THE NANNY (1965) - 7
ABSOLUTE QUIET (1936) - 7
SILENT NIGHT DEADLY NIGHT III: BETTER WATCH OUT (1989) - 3 (Ugh!)
SCHIZOID (1980) - 5 (not bad sleazy thriller)
OVERLORD (2018) - 6
PRISONER OF THE LOST UNIVERSE (1983) - 3 (Riftrax version - 7)
RAW FORCE (1982) - 3 (inept but entertaining for all the wrong reasons)
SUMMER OF '84 (2018) - 9
NIGHT OF TERROR (1933) - 6
CHRISTMAS EVIL (1980) - 8 (rewatch)
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