Without a doubt this is my favorite of Harryhausen's Sinbad films. I need to watch the Blu-Ray soon!
Tuesday, February 25, 2014
Saturday, February 22, 2014
Thursday, February 20, 2014
When, years ago, I first heard mention of the fact that legendary filmmaker Alexandro Jodorowsky had attempted to make a movie out of DUNE in the 1970's I was stunned. How could he have thought such a huge undertaking was possible? How could he have thought it was possible to finance a project so bizarre and difficult? Given the depth and detail of the novel, in what ways could it have been visualized at that time? In short- what brand of madness put this ultimately failed venture on track to development with any hope of success?
Wednesday, February 19, 2014
When I was a kid there was no comic book that fired my imagination more than Marvel's The Invaders. I read everything they or DC published (or as close to it as I could get) but there was something amazing about the adventures of this super hero group in the Second World War that grabbed me on a level that few others could. I loved The Avengers and Spider-Man and Luke Cage with a true beleivers passion but this comic was special to the ten and eleven year old me. I have been slowly rereading the first twenty or so issues in trade paperback form and enjoying them all over again- not as much as I did as a young lad, but they are still a joy. As an adult I can see the silliness of much that I took as deadly serious years ago but I consider that part of the fun now.
I wonder if there is any chance of Marvel Studios making an Invaders film? That would be amazing!
Monday, February 17, 2014
After too long a time the NaschyCast returns to the world of El Hombre Lobo! Having covered all eleven of the Waldemar Daninsky film over the course of the podcast your two hosts have decided to weigh in on how the series stacks up. We each rank the films from favorite to least favorite with a surprise digital guest appearance by our Man in the Field - Dan! Yep- in a strange, jumbled way we have Dan join us (through the magic of painstaking editing) to list off his thoughts on the Daninsky movies as well. You just never know what surprises will be up our hairy sleeve.
Of course, it wouldn't be the NaschyCast without a number of digressions and tangents so expect some conversation about Lester Dent pulp stories; Derek Robinson World War One novels about fighter pilots; the epic-length science fiction of Peter R. Hamilton; bizarre combinations of music and werewolf imagery; and Rod's brief review of Argento's DRACULA film. We narrowly avoid a discussion of ARCHER so be happy we have some self-control. Also, the feedback section is packed with fun tidings including an MP3 piece from a new writer to the show and a couple of other Spanish Horror fans chiming in with their own rankings of the lycanthrope cinema of Senor Naschy. It's a fun time for all involved! If you would like to add your two cents worth you can write us at email@example.com or join us over on the Facebook page. And thank you for downloading and listening!
Sunday, February 16, 2014
Thursday, February 13, 2014
Monday, February 10, 2014
There was a period of time when James Coburn was easily one of the coolest movie stars in the world. Onscreen he epitomized a certain kind of calm, competent, intelligent man who could be as comfortable in the extreme dangers of any place on Earth as he was sipping a cocktail with a gorgeous lady on his arm. Coburn always gave off an air of effortless style and sophistication that seemed to hide a sharp, dangerous fighter just below the surface. His career was a glorious thing to see because it was as if he could glide into any movie and immediately hold the audience rapt. It helped that either he or his agent had a fine eye for scripts because he starred in one of the most impressive string of smart movies of any star you can name. From the mid-1960s to the late 1970s he was in an easy dozen truly fantastic movies that were not only great at the time of their release but stand up today was brilliant works worthy of serious attention. With a list of credits hat includes the two Flint movies, THE PRESIDENT'S ANALYST, DEAD HEAT ON A MERRY-GO-ROUND, DUCK YOU SUCKER, PAT GARRET & BILLY THE KID, THE LAST OF SHEILA, HARRY IN YOUR POCKET, BITE THE BULLET, HARD TIMES and the amazing CROSS OF IRON how can anyone doubt his credentials as one of the great screen stars.
The trouble is that for more than a generation Coburn has been almost completely out of the public eye. Luckily Shout Factory's recent DVD double feature can start rectifying this sad state of affairs. First up is the late period western THE LAST HARD MEN which pits Coburn's vicious escaped criminal against Charlton Heston as the lawman Burgade who put him in prison. The time is the first decade of the 20th century and Coburn's character
Provo has been in jail
for ten years. He's able to take advantage of light security on a railroad
building prison gang to kill the guards and with a few other hand picked
inmates make his way across the desert. As soon as Heston as the retired lawman
learns of the escape he knows that his nemesis will be coming to take revenge.
There are a lot of great things in this film with the first being the fine cast. Besides the above the title names of Coburn and Heston the film has a very good early performance from Barbara Hershey as Heston’s brutalized daughter Susan and a great group of character actors on both sides of the law. Among the escapees is John Quade as easily the nastiest and least pleasant of them. Anyone familiar with westerns of the 1960s and 70s will recognize Quade from several movies including THE OUTLAW JOSEY WALES and HIGH PLAINS DRIFTER. He was nearly always tapped to play dodgy, villainous roles in westerns but his lecherous, vile performance here creates unease in the viewer that feels more in keeping with a horror film. The other scumbags in the group seem almost tame in comparison to his revoltingly sweaty stare as he literally licks his lips at the idea of raping Hershey’s character. He’s a disgusting, unredeemable bastard and the movie’s hard edge is never more in evidence than when he is onscreen.
Of course, the real acting power in THE LAST HARD MEN resides in the two name stars. Heston is typically great as the lawman pulled back into service out of both the desire to protect himself from an enemy and the feeling that he is the only man capable of stopping Coburn. It’s this almost arrogant certainty that everyone else is an incompetent that leads the audience to root a little for Coburn’s character as the chase develops. At first we almost want to see the self-important man taken down a peg or two but when the cruel depths of Coburn’s hatred is revealed the nastiness of the situation becomes clear and it becomes harder to root for the bad guy. These really are hard men and there is little chance of either backing down or giving up. In most ways it is Coburn that has the harder job onscreen. He has to convince us of his malicious nature while still being the lesser of the various shades of evil onscreen. He does this well and its a testament to his charisma that we are willing to root for this increasingly nasty man for as long as we do.
Sunday, February 09, 2014
This is a mix of foreign posters and artwork done by fans and there were a lot more of these than I expected to find! I love the more impressionistic pieces that only slyly hint at the horrors lurking within.