Tuesday, August 05, 2025
Lamberto Bava's BODY PUZZLE (1992) Comes to Blu-Ray!
Tuesday, July 29, 2025
Leon Klimovsky's I HATE MY BODY (1974) Comes to Blu-Ray!
Thursday, April 03, 2025
New Commentary Tracks on the Way!
Wednesday, April 05, 2023
CONQUEST OF SPACE/ I MARRIED A MONSTER FROM OUTER SPACE Double Feature From Shout Factory!
Saturday, June 04, 2022
Jess Franco's THE OTHER SIDE OF THE MIRROR (1973) Comes to Blu-Ray!

On June 30th Mondo Macabro will offer pre-orders of this amazing psychological drama from writer/director Jess Franco. I consider it one of his best films and I was very happy to be asked to contribute to the release. Here's the full announcement and at the bottom I'll provide a link to the page that will carry the sale on the 30th. Exciting to see this lesser know film finally get the kind of attention it deserves!
Ana, a young songwriter and piano player, lives alone with her father in a large house on the island of Madeira. She meets a boy and they plan to marry. However when she tells her father of their intentions he tries to persuade her to call off the wedding.
With the help of her aunt, Ana continues with her plans and
one day her expensive wedding dress is delivered. Ana puts on the dress and
runs happily through the house to find her father. Entering his study she sees,
reflected in a mirror, her father hanging by a rope. He has killed himself.
Ana leaves the island for the mainland and gets a job
playing with a jazz band. However, she is haunted by visions of her dead father
calling to her from beyond the mirror, summoning her to murder any man who gets
close to her. Gradually the mirror world takes over Ana’s life until she can no
longer separate fantasy from reality.
With a stunning performance by Emma Cohen as Ana, this was
one of Jess Franco’s most unusual and personal films. This is its first ever US
release and a world premiere on Blu-ray.
DISC FEATURES
Region Free
Brand new digitally restored 4K scan of the film negative
Spanish audio with optional English subtitles
Brand new hour-long interview with author Stephen Thrower
Brand new audio commentary by Robert Monell and Rodney
Barnett
LIMITED EDITION FEATURES
Reversible sleeve with brand new art by Justin Coffee on
side A and original ad art on side B; 20 page full color booklet with brand new
writing on the film by Francisco Cesari and Roberto Curti; 1200 numbered copies
in the usual red case.
Friday, November 12, 2021
New Commentary Track Announced! - BLACK CANDLES (1982)
Sunday, June 20, 2021
Severin to Release Jess Franco's BLACK BOOTS, LEATHER WHIP (1983)!

Wednesday, April 21, 2021
TOMBS OF THE BLIND DEAD on the way to Blu-Ray!

Monday, October 07, 2019
Paul Naschy's BEAST AND THE MAGIC SWORD (1983) on Sale Soon!
Monday, March 19, 2018
Swimming with ORCA (1977)
Sunday, January 07, 2018
NaschyCast Commentary for NIGHT OF THE SEAGULLS (1975) Announced!
Friday, October 27, 2017
The Paul Naschy Collection II
HUNCHBACK OF THE MORGUE (EL JOROBADO DE LA MORGUE)
In Castilian With English Subtitles And English Dub
NEW Audio Commentary By Rod Barnett And
Theatrical Trailers (Spanish And English)
Still Gallery
In Castilian With English Subtitles And English Dub
Theatrical Trailers (Spanish And English)
In Castilian With English Subtitles And English Dub
Still Gallery
In Castilian With English Subtitles And English Dub
NEW Audio Commentary By Author Troy Howarth
Alternate “Clothed” Versions Of The Nude Scenes For The Original Spanish Release
Theatrical Trailers (Spanish And English)
English Credit Sequence
Still Gallery
In Castilian With English Subtitles And English Dub
NEW Audio Commentary By Author Troy Howarth
Still Gallery
Monday, May 22, 2017
New Commentary Tracks for Naschy Films!
Tuesday, March 21, 2017
INQUISITION (1976) is coming from Mondo Macabro!
Region-free worldwide Blu-ray premiere
HD transfer from the original negative
Spanish and English Language Tracks
New created optional English subtitles
Audio commentary by Rod Barnett and Troy Guinn of the Naschycast
Archival video introduction to the film by Paul Naschy
“Blood and Sand”, Eurotika! documentary on Spanish horror
Mondo Macabro previews
Thursday, April 18, 2013
The Bloody Pit #7 - THE GIANT BEHEMOTH (1959) commentary
In any case, I hope you will think I did a good job. This track has some faults – verbal sloppiness & stammering and occasional stutters- but I hope I got across the information well enough to be enjoyed by fans. I think I've become much better at this kind of thing since I started podcasting three years ago but I'm not too embarrassed by my work on this six year old recording.
I’d like to clearly acknowledge the sources for the information in the track.
-Two interviews conducted by Tom Weaver were most helpful- one with director Eugene Lourie and the other with leading man Gene Evans.
-Mark Berry’s fine book The Dinosaur Filmography was an invaluable resource.
-The wonderful article from SPFX magazine #26 by Paul Mandell was fantastic and helped me form up my own thoughts about the film.
-And last was Mark Berry’s great interview with Desmond Davis about his career.
I’ve tried to get my hands on a documentary about the life and career of composer Edwin Astley but that has proven harder than I thought. Produced in 2001 it’s never been released on video but I hope to catch up with it one day.
Oh- and one last thing. I must apologize for my most glaring verbal mistake. Near the very end of the track I seem to think the current year is 1978. I meant to say something else but obviously my mind and mouth were not linked at that moment. Of course, these films often make me feel like I’m 10 years old so maybe my slip was a Freudian one. Please drop me an email at thebloodypit@gmail.com to let me know what you think.
iTunes LINK
Sunday, September 18, 2011
My commentary track for THE GIANT BEHEMOTH (1959)

As we read and responded to the letters in the most recent NaschyCast I mentioned that I had recorded a commentary track for a film at one time. The film in question is THE GIANT BEHEMOTH (1959) and I created this fan commentary back in 2008. I love the film and was underwhelmed (to say the least) by the track on the otherwise great DVD. I'm not sure how much crossover there really is between Naschy fans and fans of giant monster movies of the 1950s but just in case anyone is interested I'm re-posting the original info about the commentary here & now. This makes it much easier to find than trying to search through the labels at the bottom of each blog entry. Enjoy!
**********************************************************************************
Last year I was thrilled to pick up a couple of the Warner Brothers three DVD sets of what they called 'Cult Camp Classics'. First on my list to grab was the one labeled Sci-Fi Thrillers because I'm just that kind of guy. In all honesty, the idea of being able to see QUEEN OF OUTER SPACE in its widescreen glory put a big smile on my face. But the real icing on the cake was the inclusion of commentary tracks for the each of the three movies. Genre writer and historian Tom Weaver handled the tracks for QUEEN and ATTACK OF THE 50 FOOT WOMAN but a couple of special effects masters did the track for THE GIANT BEHEMOTH.
But as I listened to this commentary I became angry. The two men clearly thought the film was beneath them and acted more like ADD teenagers than people interested in the qualities of the film they were watching. I found it insulting and switched it off after the fourth or fifth complaint from them about how nothing was happening but 'people standing around talking'. This level of cluelessness I expect from kids but not from supposed fans of the genre. So, I set out to correct that with my own commentary track.
I hope you will think I did a good job. This track has some faults – sloppiness, verbal stammering and stutters- but I hope I got across the information well enough to be enjoyed by fans.
I’d like to clearly acknowledge the sources for the information in the track.
-Two interviews conducted by Tom Weaver were most helpful- one with director Eugene Lourie and the other with leading man Gene Evans.
-Mark Berry’s fine book The Dinosaur Filmography was an invaluable resource.
-The wonderful article from SPFX magazine #26 by Paul Mandell was fantastic and helped me form up my own thoughts about the film.
-And last was Mark Berry’s great interview with Desmond Davis about his career.
I’ve tried to get my hands on a documentary about the life and career of composer Edwin Astley but that has proven harder than I thought. Produced in 2001 it’s never been released on video but I hope to catch up with it one day.
If you decide to listen to this track I hope you enjoy it and I would be glad to hear from you. I hope to eventually do more such commentaries and any feedback would be appreciated.
Oh- and one last thing. I must apologize for my most glaring verbal mistake. Near the very end of the track I seem to think the current year is 1978. I meant to say something else but obviously my mind and mouth were not linked at that moment. Of course, these films often make me feel like I’m 10 years old so maybe my slip was a Freudian one.
THE GIANT BEHEMOTH commentary
Thanks.
Sunday, February 28, 2010
THE FEAR CHAMBER (1972)

To get the necessary fear infused blood to feed the rock Karloff and his band of merry mad scientists have constructed a ‘Fear Chamber’ into which they drag duped women to scare the hell out of them. When the ladies (of the night) pass out in terror they drain off some blood and drug the victim so she can’t recall her awful ordeal. This is where we get to see the sadistic turban wearing loon, the crazy-eyed bald midget and the half-wit hulking male nurse with a lobotomy scar do their thing. Which is kind of interesting for five minutes. But then the plot kicks in and the film starts to suck. Boris gives his all even to this crappy material but he can do little to save it.
This is not a good or fun movie and I would not recommend it to any but the most completist of Karloff fans. Its deadly dull and a real chore to slog through. But I can recommend the Elite Entertainment DVD release of the film. The fantastic filmmaker Jack Hill provides a solo commentary track for the movie and it is more than worth the price. It turns out that Hill wrote the script for this and the other three Mexican made movies that Kaloff filmed before his death. Unable to travel to Mexico City because of his health his scenes were filmed in California by Hill with the rest of the picture made south of the border. This is a great commentary that answers nearly all of the questions I had about the film and its production. It turns out that most of the script was tossed out or altered by the Mexican director as he saw fit. Hill thinks what he wrote was much better than what got made but I don’t know if this mess could have ever been too wonderful. Still, this track is well worth listening to even if you don’t want to watch the film itself. Hill is a fount of information and stories about not just THE FEAR CHAMBER and Karloff but filmmaking in general. His tales of editing & sound tricks to save poorly shot scenes was an eye opener for me. As a huge fan of his Blaxploitation and Women In Prison films of the 70s I was glad to have Hill explain himself and relate how the infamous Mexican foursome that ended a horror icon’s career got made. It doesn’t make this movie any better but it makes its low quality worth enduring to learn something new about low budget movie making and Boris.
Sunday, July 05, 2009
Commentary track for FRIDAY THE 13TH: PART 5

Ah, the work that gets tossed to the side.
The fine fellows over at DeadPit.com recorded a commentary track that was supposed to actually be on the new DVD special edition of F13: PART FIVE but it got axed with Paramount offering no explanation for its rejection. The DeadPit boys figure its because of their Kentucky accents and the general lack of respect this bastard entry in the series has always gotten. They are pretty proud of the track as it was produced by Michael Felsher and contains audio clips from the director and cast spliced in at relevant moments. Regardless of the reasons it was left off the disc you can now have the track for no cost at all straight from the DeadPit site. Just follow this link to their website and download it for your listening pleasure. I'll be checking it out later this week.
Monday, July 21, 2008
THE GIANT BEHEMOTH fan commentary

But as I listened to this commentary I became angry. The two men clearly thought the film was beneath them and acted more like ADD teenagers than people interested in the qualities of the film they were watching. I found it insulting and switched it off after the fourth or fifth complaint from them about how nothing was happening but 'people standing around talking'. This level of cluelessness I expect from kids but not from supposed fans of the genre. So, I set out to correct that with my own commentary track.
I hope you will think I did a good job. This track has some faults – sloppiness, verbal stammering and stutters- but I hope I got across the information well enough to be enjoyed by fans.
I’d like to clearly acknowledge the sources for the information in the track.
Two interviews conducted by Tom Weaver were most helpful- one with director Eugene Lourie and the other with leading man Gene Evans.
Mark Berry’s fine book The Dinosaur Filmography was an invaluable resource.
The wonderful article from SPFX magazine #26 by Paul Mandell was fantastic and helped me form up my own thoughts about the film.
And last was Mark Berry’s great interview with Desmond Davis about his career.
I’ve tried to get my hands on a documentary about the life and career of composer Edwin Astley but that has proven harder than I thought. Produced in 2001 it’s never been released on video but I hope to catch up with it one day.
If you decide to listen to this track I hope you enjoy it and I would be glad to hear from you. I hope to eventually do more such commentaries and any feedback would be appreciated.
Oh- and one last thing. I must apologize for my most glaring verbal mistake. Near the very end of the track I seem to think the current year is 1978. I meant to say something else but obviously my mind and mouth were not linked at that moment. Of course, these films often make me feel like I’m 10 years old so maybe my slip was a Freudian one.
THE GIANT BEHEMOTH commentary
Thanks.