Italian filmmaker Michele Soavi is one of my favorite horror film directors. If you don't know his work you really should check out his four brilliant genre efforts - STAGE FRIGHT (1987), THE SECT (1991) and his masterpiece DELLAMORTA DELLAMORE (1994) which was also released under the title of CEMETERY MAN. In 1989 he helmed this dreamy gore epic and this trailer will give you an idea of the joys that await horror fans!
Thursday, August 30, 2018
Monday, August 27, 2018
This past week I started taking a run through the original series of The Champions from Marvel Comics. The Champions was always the strangest superhero group that I think either Marvel or DC has ever attempted. It almost seems as if Marvel decided that they had these five characters hanging around they were not doing anything with, so why not throw them together into a team. Wikipedia has some insight into how this book came about but no matter how much talent was behind the scenes and on the page they couldn't seem to make a go of it past issue 17. That's a shame since the various characters are so interesting, especially circa 1975, when this book debuted. Simply by having the Black Widow elected as team leader it was a forward thinking comic. So, I'm taking a run through this, reading every issue for the first time in my life and seeing just how effective or ineffective the series was.
When I was young I only ever ran across a couple of random issues of the series but it was always very intriguing. I mean, come on! The Ghost Rider, Hercules, the Black Widow, Iceman and Angel in the same group? This has got to be fascinating no matter what, right? And so far it kind of is. The series gets off to a supernatural start focusing on a plot by Olympians to forces Zeus into making his son Hercules submit to matrimony with someone he doesn't want to marry. It's a very convoluted plot that involves the eventual destruction of Zeus by said Olympian bad guys and, as you might expect, the Champions come together and are able to thwart this plan. I look forward to seeing which direction things take in the next dozen issues. I love Bronze Age comics!
Friday, August 24, 2018
After a film he shot in 1957 couldn't get released until 1960 Wells decided to try his luck in Europe where he found work in
Germany and both in front of and behind
the camera. After directing a couple of productions but not getting a
director's credit he started a dubbing company that was eventually responsible
for providing hundreds of movies with foreign language soundtracks. But in 1971
Wells was able to co-write and direct his most interesting film, LADY
FRANKENSTEIN. It's a well made variation on the classic mad scientist tale with
a few kinky twists thrown in to keep modern audiences in their seats. It
wouldn't hit the Italy until 1973 where it was still a hit
even after it was brutally edited down
to under 90 minutes by his old mentor, Roger Corman. United
But is LADY FRANKENSTEIN any good? Or is it just one heck of a good title? Join Adrian Smith for our third annual podcast together and we'll tell you what we think. We spend the first twenty minutes or so catching up with each other so be aware that we don't get to the film immediately.
We discuss the talented cast including Joseph Cotton, Paul Mueller, Mickey Hargitay and the absolutely gorgeous Rosabla Neri in the title role.
points out some fascinating things about the film as we roll through the plot
synopsis while I just try to adjust to finally having an uncut version of the
film that looks so clear and crisp. We can't recommend the British Blu-Ray from
Nucleus highly enough! Adrian
If you have any questions for us or comments about the show you can write to us at email@example.com where we'll be happy to hear from you. If you get the podcast through iTunes or any other such pod-catcher, please consider rating and reviewing us there. It points others to the show. Thanks for listening and downloading.
Thursday, August 23, 2018
Derek Koch, the man behind the podcast Monster Kid Radio, is about to begin something new. He plans to create a video series around his journey through the films of Paul Naschy! This means he will be watching Naschy's horror films and then video blogging his impressions of each one, providing a record of a genre fan's initial exposure to these Spanish classics. He has only seen a couple of these movies before so most will be first time watches. I'm really looking forward to this series!
Wednesday, August 22, 2018
Monday, August 20, 2018
The Golden Age of Spanish Horror is renowned for it's variations on classic monster movie tropes but there are other less well remembered sub-genres that got attention as well. Although this film could be easily seen as a proto-slasher it also fits nicely into the short lived Psycho-Biddy or Hag Horror genre best exemplified by WHATEVER HAPPENED TO BABY JANE (1962). We discuss this film's connections to that long dead type of scary movie noting the specific Catholic tone imparted by the influence of the Spanish government. This was director Eugenio Martín's second horror film after the exceptionally fun HORROR EXPRESS (1972) showing that he had the touch necessary for the genre. His marriage to Lone Fleming also explains her very sexy presence here. The entire very talented cast comes under discussion as we marvel at the female performances and wonder at Vic Winner's inability to survive a Spanish horror film.
We can be reached at firstname.lastname@example.org where we'll be happy to hear from you. Send along any comments, suggestions or questions and we'll try to answer them next month. If you subscribe to the show in iTunes we'd be thrilled if you could rate & review us there. it helps other people discover what we're doing. Thank you for downloading and listening!
Saturday, August 18, 2018
Thursday, August 16, 2018
After the third Purge film I thought the next one would detail the messy downside of ending totalitarian rule in the
Or perhaps it would continue the rebellion against military control that I
suspect would be the natural next step in destroying such a fascistic
government. Instead the creative team behind the series decided to back up
along the dystopian timeline and show us the way the Purge became accepted. It
was a smart move as it perfectly fits our current times. As we watch many
democracies around the world start the sad slide into despotic rule having this
tale told about a fictional United States
rubs our faces in reality. Here we can see how easy it is to, little by little,
tolerate awful actions against others until it's too late to save anyone. THE
FIRST PURGE (2018) explains that it is only by pulling together that we can
save ourselves and our society from
descending into chaos and anarchy. And also
that an authority that advocates any other path is consciously or
unconsciously working to destroy humanity. It's almost as if the writers saw
2018 more clearly than most others. We much pull together rather than pull
apart. Glad to see the tradition of violent exploitation films providing blunt social commentary has returned. USA
ANT-MAN AND THE WASP (2018) lets Marvel fans know why Scott Lang's shrinking and growing superhero missed out on the Infinity War. It seems that he was serving a house arrest sentence after helping out Captain
Civil War. Turns out that his little trip to America was illegal which has also
put Hank Pym and his daughter Janet on the run as well. Our ankle-braceletted
ex-con is suffering through the last few days of his incarceration when events
take control of his life again. The Pyms have been working to find a way to
rescue the original Wasp from the subatomic realm that Scott visited in he
first film. They need his cooperation to finish this project meaning finding a
way to escape detection when out of his house. Adding to the trouble is a
ghostly woman capable of moving through solid matter who is interfering with
the Pym's plans. Before you can say Rube Goldberg the plot is twisting several
different characters and problems into a speed-freak ride of blissful fun. This
isn't the best of the Marvel films but it is damned fun and funny - until that
final scene! Whoa! Germany
VENGEANCE (1968) - 7 (rewatch)
THE IN-LAWS (1979) - 7 (rewatch)
OCEAN'S 8 (2018) - 8
NO NAME ON THE BULLET (1959) - 8 (sharp western by Jack Arnold)
TARZAN, THE APE MAN (1959) - 4 (weak Jungle Lord film with Denny Miller)
THE FIRST PURGE (2018) - 8
GIRL SLAVES OF MORGANA LE FAY (1971) - 8
BULLDOG DRUMMOND ESCAPES (1937) - 7
ONE MILLION YEARS B.C. (1940) - 6
CITY OF THE DEAD (1960) - 8 (rewatch)
STEP BY STEP (1946) - 6 (interesting crime tale with Laurence Tierney)
THE HOUSE OF SEVEN GABLES (1940) - 7
ANT-MAN AND THE WASP (2018) - 7
SUPERBEAST (1972) - 3 (boring and pointless)
SHERLOCK HOLMES FACES DEATH (1943) - 7
THE SNOW CREATURE (1954) - 2 (grindingly awful Yeti film)
DEVIL'S ISLAND (1939) - 6 (Karloff prison tale)
SON OF PALEFACE (1952) - 4 (Bob Hope comedy)
THE BANDIT OF SHERWOOD FOREST (1946) - 6
TARZAN'S PERIL (1951) - 6
THE MYSTERIOUS DOCTOR (194)- 6 (convoluted fog-bound British chiller/war-time propaganda)
THE SHADOW (1994) - 8 (rewatch)
Wednesday, August 15, 2018
Screenwriter Hamm talks - quickly- about this under-seen Hammer thriller. I highly recommend checking this one out as it's a superb little mystery with an excellent cast!
Sunday, August 12, 2018
I'm not really sure that the short tales presented in the film were originally made to be a part of a Coffin Joe film. I think it's more likely that the pieces were fit into a framework Marins came up with to craft a feature inexpensively. Although Marins claims to love this movie and thinks of it as one of his best I very much disagree. He seems to be proud of it because of the 'social commentary' elements in the various stories but it's those very bits that drag the movie down and provoke yawns from me. There're few things more boring than being preached at when all you're looking for is an entertaining movie. This is easily the least of Coffin Joe films and it's the one I'd advise skipping if funds are short.
The set-up for the wraparound story is a discussion between several intellectuals and academics about the horrible state of the world because of the lack of morality in people. The men relate various absurd, sinister stories to prove their points. The men are obviously just trying to top each other in a kind of 'Who has the more bizarre tale?' contest but they all take it seriously... so maybe we should too. Naaaah! Each story has illegal drugs as its catalyst, with the point being that they "stimulate depravity and promote corruption". That's all well and good but the stories are so damned silly that there's no way I can take them seriously. You'd expect stories that relate awful circumstances of rape, adultery, murder, violence and humiliation to be depressing or at least interesting, but as presented here they're really just dull. And Marins' attempts at symbolism are so obvious and ham-handed (a fat, lecherous businessman turning into a pig; a shot of bull horns when a cheating wife speaks of her husband, etc.) that they cause laughter instead of reflection. As the stories are told we are gradually shown that one of the men in the discussion is Marins, going under the name of Mr. Mojica.
But it's not until the final story that things really get interesting. In this tale a professor relates the details of a highly unethical experiment in which he dosed four drug addicts with LSD and had them focus on images of Zé do Caixao. As the hallucinogen takes hold the film suddenly jumps to color and Marins parades every bizarre idea of psychedelic insanity he possibly can in front of the camera. Set loose from the constricting need to be coherent he splashes bright colors and shock imagery on screen and if you look carefully I'm sure you'll even see a kitchen sink! Of course, this sequence is more often than not ridiculous and silly but there are several moments that are genuinely creepy. Some of the hellish pictures presented during this segment strike an unnerving chord — even though there is no way the sight of a bunch of men's asses painted with faces is ever going to be anything other than unintentionally funny. This section of the film is like watching the unholy merger of a David Lynch film that's been put through Cronenberg's telepod from The Fly with a copy of an Ed Wood masterpiece. Demented? Yeah, but definitely interesting... which is more than I can say for the first hour of the film.