In the past couple of weeks I've caught a few genre films
via NetFlix that are worth serious attention.
I first heard of ALL THE BOYS LOVE MANDY LANE years ago and
I was intrigued enough to want to see it, but the film soon slipped my mind when it never
appeared in theaters or on video. It became a case of 'out of sight, out of mind' until Bill on the
Outside the Cinema podcast mentioned it some time last year. He praised the
movie and noted that it was available on British DVD. I was curious now and looked into importing
the Region 2 DVD but couldn't justify the price for a film I had never seen. I
knew from reading reports that the reason the film had such a terrible time
with distribution was that the production company went bankrupt so I wondered
if it might not eventually show up over here in some legal form and just last
year it finally did.
The second movie I'll draw your attention to is the latest
adaptation of one of Donald E. Westlake's crime novels (written under the pen
name Richard Stark) about the clever criminal Parker. I was a bit resistant to
this film at first because it stars the very British Jason Statham as Parker
and, having read several of the novels, that does not match the character on
the page. But after hearing quite a few people including Stephan King claim it
to be very good I had to push play and see for myself. Glad I did!
PARKER (2013) is an adaptation of one of the novels in the
series that I have not yet read (Flashfire) and that was a plus for my expectations
I think. I wasn't aware of the plot complications and therefore was not waiting
for certain highlights to appear but I think that even if I was constantly
comparing this film to the book I would have been pleased. This movie easily
joins the short list of excellent Parker films and in my opinion is one of the
three best along with POINT BLANK (1967) and THE OUTFIT (1973).
The story follows Parker as he sets up and expertly executes
a robbery at a State Fair only to be double crossed by his partners and left
for dead. After pulling himself out of a hospital bed one step ahead of the
police he begins a dogged pursuit of his betrayers. This trail leads to Florida where he uses
real estate agent Jenifer Lopez to find the location of their hideout. This is
a surefooted, smart and well paced crime tale that is never boring or less than
engaging. It was a small leap to accept that this Parker is a Brit and Statham
even has fun slapping on a thick Texan accent as part of a disguise later in the story. Lopez is
quite good in a role that reminded me of her excellent performance in OUT OF
SIGHT (1998) - what happened to her? She should have been making movies like
this for fifteen years!
I won't ruin the film by going too far but I love the
supporting cast and old Hollywood hand Taylor Hackford shows that he can still
pull together an effective movie year after career high point. If you like
taut, exciting crime movies this one is for you.
6 comments:
Ha, looks like your Netflix viewing and mine is roughly matching in choice though my thoughts about the flicks were somewhat different:
Though ALL THE BOYS LOVE MANDY LANE initially feels like a somewhat different slasher film - more stylish with its saturated colours, a slightly different take on its teenage characters -, in the end for me this is still just an OK production. For the bulk of its running time the killer is not much of a surprise, for the rest.... well, let's just say it didn't come like much of a surprise to me.
As for PARKER... oh my.... If it was someone's intention to shoot the most average movie with the most average plot, the most average and predictable action scenes, with absolutely average performances and average direction and average cinematography. ... well, then they have succeeded. In actual fact I had watched this at the end of last year and already forgotten most.
Yeah- we definitely disagree about these film's qualities (or lack thereof). The killer is actually revealed fairly early (after the third death, I think) which made things MORE for me, not less. And I was impressed with Miss Lane's final solution to getting her way. I love a dark ending.
And I found PARKER anything but average as I have , a week later, sections of the film replaying in my head. Different strokes, I guess.
Yep, the killer is revealed early. Hence for the bulk of its running time it is not much of a surprise. Exactly my point. :-)
Yep, the killer is revealed early. Hence for the bulk of its running time it is not much of a surprise. Exactly my point. :-)
But there is a secondary surprise -he said, trying not to spoil things- and then the ultimate ending adds another layer of darkness to things.
Yes, didn't want to spoil things either, hence "for the rest.... well, let's just say it didn't come like much of a surprise to me." :-)
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