Wednesday, December 03, 2025
Monday, December 01, 2025
The Bloody Pit #224 - DOLLS (1987)
A fairy tale? DOLLS (1987) was the third released feature
film directed by Stuart Gordon but the second one shot. Does it measure up to
his Lovecraft adaptations? Well, I am joined by John Hudson and Troy Guinn to compare
notes on this deviation from the energetic gorefests we had come to expect from
Mr. Gordon. We have much to say even though Troy is dialing in from an
undisclosed location. What is his day job, anyway?
We examine the genesis of the project and relate numerous
behind the scenes tales from the director and the scriptwriter Ed Naha. John
tells us of his longtime appreciation of Naha with a story from his childhood. We
talk about the various fairy tale stereotypes that the film’s characters fall
into and are amused by all the anti-ques. We discuss the excellent stop-motion
special effects and the skill on display technically throughout the movie. I
gush about the cinematography and point out some lovely visual moments. And we
are all thrilled to have Mr. Sardonicus show up as a (relatively) good guy and
use that film’s Punishment Poll as a guide for judging this movie. We have no
shame.
If you have any comments about Stuart Gordon movies or our plans to talk about which ones to cover thebloodypit@gmail.com is the address to send them. Thanks for listening!
Saturday, November 29, 2025
The LOGAN'S RUN Comic Book Series
Thursday, November 27, 2025
Wednesday, November 26, 2025
Superman in the Macy's Thanksgiving Day Parade
Tuesday, November 25, 2025
Sunday, November 23, 2025
Trailers From Hell - STAR TREK: THE MOTION PICTURE (1979)
Wednesday, November 19, 2025
What I Watched in October 2025
ONE BATTLE AFTER ANOTHER (2025) – 8
SUCCUBUS (1968) – 7 (rewatch)
SNAPSHOT OF A CRIME (a.k.a Istantanea per un delitto) – 4
(weak Italian thriller)
SWEETS FROM A STRANGER (1987) – 6 (dry giallo with an
interesting ending)
NIGHT OF THE REAPER (2025) – 7 (well done tale of a
small-town killer)
DEMON WITCH CHILD (1974) – 6 (rewatch on Blu)
HOUSE ON EDEN (2025) – 4 (found footage failure)
TRON: LEGACY (2010) – 7 (rewatch)
THE HAND OF NIGHT (1968) – 5 (mediocre British made Moroccan
vampire tale)
CLOWN IN A CORNFIELD (2025) – 4 (tone is all over the place in
this horror/comedy)
SILVER BULLET (1985) – 5 (finally saw it)
TRICK OR TREAT (1986) – 6 (rewatch on Blu)
DEATH PACKS A SUITCASE (1972) – 6 (Jess Franco krimi that
looks magnificent on Blu)
TRON: ARES (2025) – 7 (far better than I thought it would
be)
MONSTER ISLAND (2025) – 7 (Hell in the Pacific crossed with
Humanoids from the Deep)
THREE CASES OF MURDER (1954) – 6 (interesting anthology
film)
DANCE OF THE DAMNED (1989) – 3 (dull vampire tale)
RITA THE MOSQUITO (1966) – 6 (Italian musical comedy)
STAY (2025) – 7 (effective ghost tale about grief)
THE ENCHANTED (1984) – 8 (brilliant Florida folk horror)
BLACK PHONE 2 (2025) – 8 (emotional and effective expansion
of the idea)
HOUSE OF DRACULA (1945) – 6 (rewatch on Blu)
OTHER (2025) – 8 (excellent creepy mystery)
DOLLS (1987) – 5 (rewatch)
PHANTASM (1979) – 8 (rewatch on Blu)
PHANTASM II (1988) – 8 (rewatch on Blu)
THE CURSE OF FRANKENSTEIN (1957) – 8 (rewatch on Blu)
THE MAN WHO WOULDN’T DIE (1989) – 6 (Italian crime tale)
HALLOWEEN (2018) – 8 (rewatch on Blu)
EL PUEBLO FANTASMA (1965) - 6 (Mexican vampire western)
I KNOW WHAT YOU DID LAST SUMMER (2025) – 7 (surprisingly
solid sequel)
SHELBY OAKS (2025) - 6 (good idea that needed more ‘zip’)
PHANTOM OF THE OPERA (1989) – 6 (surprisingly well done)
FRANKENSTEIN (2025) – 9
DRACULA RISES FROM THE GRAVE (1967) – 7 (rewatch on Blu)
THE DEVIL’S NIGHTMARE (1971) – 7 (rewatch on Blu)
DEMONS OF PARADISE (1987) – 4 (mediocre monster tale)
Tuesday, November 18, 2025
Wild, Wild Podcast - THE YEAR OF THE CANNIBALS (1969)
In a dystopian Milan, a failed revolution has left the
Fascists in charge and the streets littered with dead rebels. Antigone (Britt
Ekland) seems to be the only sane person left, determined to defy the
authorities and her parents to retrieve the body of her brother and give him a
proper burial. When she meets a mysterious man who has great hair but speaks an
unknown language (played by Pierre Clementi), their destinies in this strange
tyrannical world become entwined. Oh, and also her boyfriend is Tomas Milian.
In this episode we are exploring the early work of the
important and often controversial director Liliana Cavani, and although we have
not started a cannibal film mini-season (as has been frequently requested by
some listeners), this is still a fascinating and important piece of work which
was neglected at the time but is hopefully becoming reappraised, at least by
us. Join us for some serious discussion about the impact Cavani's early
television documentary work had on her subsequent cinema career, the often
unsung but heroic work of background extras, and whether or not that really is
Britt Ekland running naked through the streets of Milan.
We would love to hear from you about your favorite Italian
female filmmakers, or your recommendations for other late 1960s revolutionary
films.
You can get in touch with us, follow us on social media, buy our merch, and all that stuff, through our LINKTREE.









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